{"id":2544096259,"title":"Animals Pedal I Was a Wolf in the Forest Distortion","handle":"i-was-a-wolf-in-the-forest-distortion-2","description":"A Wolf in the Forest is many things just like this Nine Volt Pedal's creation. Aggressive like a large black stack in the night, or stealthy just like a predator ready to pounce when the volume is wound down. The Wolf's howl is Variable as well and can be subtly adjusted via the tone pot or via its hidden presence and bass trim pots that are deep in the belly of the beast, unlike many wolves this Wolf is decidedly British sounding.\u003cbr\u003e\n\u003cp\u003e\u003cspan\u003eThis howling beast does anything from a really nice clean boost up to growling menacing high gain!\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003eDrive, Tone and Volume controls\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003eInternal trim pots to adjust Presence and Bass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTrue bypass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e9V battery or standard 9VDC negative tip adaptor\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCurrent draw 6mA\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInput impedance 500K ohms\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOutput impedance 10K ohms\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDesigned in Japan by One Control\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eArtwork by \u003ca href=\"http:\/\/www.jonasclaesson.com\/\" target=\"_blank\" title=\"Jonas Claesson\" rel=\"noopener noreferrer\"\u003eJonas Claesson\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"embed-container\"\u003e\n\u003cdiv class=\"embed-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/53M_Qs-Medk\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2015-11-10T06:22:00+10:00","created_at":"2015-09-12T00:04:01+10:00","vendor":"Animals Pedal","type":"Pedal","tags":["Boost","Distortion","Overdrive","reverbsync-offers:off","reverbsync-shipping-profile:Pedals \u0026 Accessories over $200"],"price":10900,"price_min":10900,"price_max":10900,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7421423491,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"NV-WFD","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Animals Pedal I Was a Wolf in the Forest Distortion","public_title":null,"options":["Default Title"],"price":10900,"weight":350,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/NVP_Distortion_Front_web.jpg?v=1445509060","\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/NVP_Distortion_Side_web.jpg?v=1445509066"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/NVP_Distortion_Front_web.jpg?v=1445509060","options":["Title"],"content":"A Wolf in the Forest is many things just like this Nine Volt Pedal's creation. Aggressive like a large black stack in the night, or stealthy just like a predator ready to pounce when the volume is wound down. The Wolf's howl is Variable as well and can be subtly adjusted via the tone pot or via its hidden presence and bass trim pots that are deep in the belly of the beast, unlike many wolves this Wolf is decidedly British sounding.\u003cbr\u003e\n\u003cp\u003e\u003cspan\u003eThis howling beast does anything from a really nice clean boost up to growling menacing high gain!\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003eDrive, Tone and Volume controls\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003eInternal trim pots to adjust Presence and Bass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTrue bypass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e9V battery or standard 9VDC negative tip adaptor\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCurrent draw 6mA\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInput impedance 500K ohms\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOutput impedance 10K ohms\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDesigned in Japan by One Control\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eArtwork by \u003ca href=\"http:\/\/www.jonasclaesson.com\/\" target=\"_blank\" title=\"Jonas Claesson\" rel=\"noopener noreferrer\"\u003eJonas Claesson\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"embed-container\"\u003e\n\u003cdiv class=\"embed-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/53M_Qs-Medk\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e"}

{"id":6618644166,"title":"Crowther Audio Double Hotcake","handle":"double-hotcake","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\n\u003cspan style=\"color: #76a5af;\"\u003eA true boutique classic - and here you have two of them in one box!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Double Hotcake has two Hotcakes 'A' and 'B' in one box. The A is a Bluesberry version, and the B a normal version (the \"Bluesberry\" voicing of the Hotcake has a slightly less buzzy edge at the onset of distortion, and often works well when guitarists have amplifiers with extra extreme treble boost, like some Marshalls for instance). Both have three knobs and a footswitch as with regular Hotcakes. If both Hotcakes are switched on together, the A Hotcake drives the B, and its controls are bypassed, but an extra Drive control is switched in to adjust the its gain. There is also an extra clipping stage and a reduction in low frequencies to make for a better lead sound in the high gain situation. The A Hotcake has the usual buffered bypass (the circuit becomes a buffer in bypass mode), while the B Hotcake is hard bypassed using gold plated contacts.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eMAJOR ARTISTS THAT HAVE USED THE HOTCAKE\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eSplit Endz\u003c\/li\u003e\n\u003cli\u003eCrowded House\u003c\/li\u003e\n\u003cli\u003eNeil Finn\u003c\/li\u003e\n\u003cli\u003eMark Knopfler\u003c\/li\u003e\n\u003cli\u003eRadiohead\u003c\/li\u003e\n\u003cli\u003eStevie Ray Vaughan\u003c\/li\u003e\n\u003cli\u003eNoel Gallagher (Oasis)\u003c\/li\u003e\n\u003cli\u003eRolling Stones\u003c\/li\u003e\n\u003cli\u003eBlur\u003c\/li\u003e\n\u003cli\u003eViolent Femmes\u003c\/li\u003e\n\u003cli\u003eSonic Youth\u003c\/li\u003e\n\u003cli\u003eINXS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe first Hotcake was made in 1976, while creator Paul Crowther was in the UK with Split Enz. It is designed to leave the undistorted component of the guitar sound unchanged, while providing a nice fat distortion sound without resorting to a treble cut circuit which will also affect the guitar tonality. \u2028\u2028With the Drive and Presence controls set to minimum, and the Level at around 2 o’clock, you should be hard pressed to hear any change in the sound at all when you switch the Hotcake in and out. You can get a clean volume boost by increasing the Level control. Increasing the Drive will give you a thick distortion sound with a little bit of edge to it, and the Presence control adds some mid-range punch to the sounds.\u2028\u2028The Hotcake also handles chords superbly, just like an overdriven amp.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eThe Hotcake is perfectly sonically tuner to EL84 tube amps like the Vox AC series.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eNote: \u003c\/strong\u003e\u003cem\u003eSince 2008, The Hotcake has included a jumper switch system. This system allows the user to change the setting to The Hotcake Bluesberry specification. Using the same jumper switch system you have a Bass Accentuation facility. We advise the user that the settings should not be altered on a regular basis – the jumper switch system is in place to allow the user to fix a setting and is not intended as a constant switching option.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt is recommended that the Hotcake is patched between the guitar and amplifier, rather than into an amplifier’s effect loop.\u2028Generally speaking, if you are happy with your guitar and amplifier combination, the Hotcake will work well as a primary distortion.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch4\u003eTECHNICAL SPECIFICATIONS\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eInput impedance: 1M ohm (equivalent to a typical valve amplifier)\u003c\/li\u003e\n\u003cli\u003eOutput impedance: less than 13K ohm\u003c\/li\u003e\n\u003cli\u003eRecommended minimum output load impedance: 100K ohm\u003c\/li\u003e\n\u003cli\u003eBypass type: circuit converts into a high quality buffer with simple, quiet, seamless switching, using gold plated contacts\u003c\/li\u003e\n\u003cli\u003ePhase polarity: non inverting\u003c\/li\u003e\n\u003cli\u003eContinuous current consumption approx 3.5 mA (LED on)\u003c\/li\u003e\n\u003cli\u003eExternal power supply socket 9-12VDC, 2.1mm, pin negative. Compatible with most popular AC adapters\u003c\/li\u003e\n\u003cli\u003eIf more than one pedal is powered from the same adapter, a regulated type should be used to minimise “hum” (100\/120hz) which can be caused by circulating ripple currents\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003e\u003cstrong\u003eREVIEWS \u0026amp; USER COMMENTS\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 1\/16\/2006\u003c\/strong\u003e\u003cbr\u003e“Beautiful harmonic distortion, controlled feedback, thick growl... hard to describe… I love it with my setup... it is a very warm sounding overdrive pedal... nothing harsh about it... very full bass response... only OD pedal I use.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 12\/15\/2005\u003c\/strong\u003e\u003cbr\u003e“Incredible gain effect! One of the best I’ve ever played.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 11\/2\/2005\u003cbr\u003e\u003c\/strong\u003e“The sound for me is simply unbeatable. I have been giggin' with it for the last 2 years and every time I stomp on it, it impresses me. Its just so warm and full… it is the best there is. A must have for any rocker.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 9\/6\/2005\u003cbr\u003e\u003c\/strong\u003e“I play in the UK’s top Hendrix tribute, and this pedal helps me to get the sounds that I am after. If you want a pedal that will do a nice boost through to thick overdriven fuzzy sounds that still responds to your picking and guitar vol dynamics, look no further. Every guitar player will find a use for this pedal.”\u003c\/p\u003e\n\u003ch4\u003e\n\u003cbr\u003eABOUT CROWTHER AUDIO\u003c\/h4\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eCrowther Audio was established over thirty years ago by Paul Crowther from New Zealand with his first and a seminal product the Crowther Hotcake, the initial one was made in 1976, while he was in the UK touring with Split Enz with the Finn brothers from Crowded house fame. The Hotcake was designed to leave the undistorted component of the guitar sound unchanged, while providing a nice fat distortion sound without resorting to a treble cut circuit which will also affect the guitar tonality.\u003c\/p\u003e\n\u003cp\u003eThe products are still made today in New Zealand by Paul, and since the Hotcake inception some thirty years ago, Crowther Audio has released two other products: the Prunes \u0026amp; Custard, a Harmonic generator, and the double Hotcake. Crowther Audio is committed to making high quality analogue guitar products, that ethos has inspired many famous users from Mark Knopfler to Noel Gallagher to use Crowther products on their material and its distinctive tone can clearly be heard on many of their most famous hits.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"embed-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/woXyVATj_M0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e","published_at":"2016-06-05T19:17:00+10:00","created_at":"2016-06-05T20:32:32+10:00","vendor":"Crowther Audio","type":"Pedal","tags":["Boost","Overdrive","reverbsync-offers:off","reverbsync-shipping-profile:Pedals \u0026 Accessories over $200"],"price":45900,"price_min":45900,"price_max":45900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":20928130694,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"CA-DH","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Crowther Audio Double Hotcake","public_title":null,"options":["Default Title"],"price":45900,"weight":600,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/CA_Double_Hotcake_web.jpg?v=1465123436"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/CA_Double_Hotcake_web.jpg?v=1465123436","options":["Title"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\n\u003cspan style=\"color: #76a5af;\"\u003eA true boutique classic - and here you have two of them in one box!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Double Hotcake has two Hotcakes 'A' and 'B' in one box. The A is a Bluesberry version, and the B a normal version (the \"Bluesberry\" voicing of the Hotcake has a slightly less buzzy edge at the onset of distortion, and often works well when guitarists have amplifiers with extra extreme treble boost, like some Marshalls for instance). Both have three knobs and a footswitch as with regular Hotcakes. If both Hotcakes are switched on together, the A Hotcake drives the B, and its controls are bypassed, but an extra Drive control is switched in to adjust the its gain. There is also an extra clipping stage and a reduction in low frequencies to make for a better lead sound in the high gain situation. The A Hotcake has the usual buffered bypass (the circuit becomes a buffer in bypass mode), while the B Hotcake is hard bypassed using gold plated contacts.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eMAJOR ARTISTS THAT HAVE USED THE HOTCAKE\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eSplit Endz\u003c\/li\u003e\n\u003cli\u003eCrowded House\u003c\/li\u003e\n\u003cli\u003eNeil Finn\u003c\/li\u003e\n\u003cli\u003eMark Knopfler\u003c\/li\u003e\n\u003cli\u003eRadiohead\u003c\/li\u003e\n\u003cli\u003eStevie Ray Vaughan\u003c\/li\u003e\n\u003cli\u003eNoel Gallagher (Oasis)\u003c\/li\u003e\n\u003cli\u003eRolling Stones\u003c\/li\u003e\n\u003cli\u003eBlur\u003c\/li\u003e\n\u003cli\u003eViolent Femmes\u003c\/li\u003e\n\u003cli\u003eSonic Youth\u003c\/li\u003e\n\u003cli\u003eINXS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe first Hotcake was made in 1976, while creator Paul Crowther was in the UK with Split Enz. It is designed to leave the undistorted component of the guitar sound unchanged, while providing a nice fat distortion sound without resorting to a treble cut circuit which will also affect the guitar tonality. \u2028\u2028With the Drive and Presence controls set to minimum, and the Level at around 2 o’clock, you should be hard pressed to hear any change in the sound at all when you switch the Hotcake in and out. You can get a clean volume boost by increasing the Level control. Increasing the Drive will give you a thick distortion sound with a little bit of edge to it, and the Presence control adds some mid-range punch to the sounds.\u2028\u2028The Hotcake also handles chords superbly, just like an overdriven amp.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eThe Hotcake is perfectly sonically tuner to EL84 tube amps like the Vox AC series.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eNote: \u003c\/strong\u003e\u003cem\u003eSince 2008, The Hotcake has included a jumper switch system. This system allows the user to change the setting to The Hotcake Bluesberry specification. Using the same jumper switch system you have a Bass Accentuation facility. We advise the user that the settings should not be altered on a regular basis – the jumper switch system is in place to allow the user to fix a setting and is not intended as a constant switching option.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt is recommended that the Hotcake is patched between the guitar and amplifier, rather than into an amplifier’s effect loop.\u2028Generally speaking, if you are happy with your guitar and amplifier combination, the Hotcake will work well as a primary distortion.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch4\u003eTECHNICAL SPECIFICATIONS\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eInput impedance: 1M ohm (equivalent to a typical valve amplifier)\u003c\/li\u003e\n\u003cli\u003eOutput impedance: less than 13K ohm\u003c\/li\u003e\n\u003cli\u003eRecommended minimum output load impedance: 100K ohm\u003c\/li\u003e\n\u003cli\u003eBypass type: circuit converts into a high quality buffer with simple, quiet, seamless switching, using gold plated contacts\u003c\/li\u003e\n\u003cli\u003ePhase polarity: non inverting\u003c\/li\u003e\n\u003cli\u003eContinuous current consumption approx 3.5 mA (LED on)\u003c\/li\u003e\n\u003cli\u003eExternal power supply socket 9-12VDC, 2.1mm, pin negative. Compatible with most popular AC adapters\u003c\/li\u003e\n\u003cli\u003eIf more than one pedal is powered from the same adapter, a regulated type should be used to minimise “hum” (100\/120hz) which can be caused by circulating ripple currents\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003e\u003cstrong\u003eREVIEWS \u0026amp; USER COMMENTS\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 1\/16\/2006\u003c\/strong\u003e\u003cbr\u003e“Beautiful harmonic distortion, controlled feedback, thick growl... hard to describe… I love it with my setup... it is a very warm sounding overdrive pedal... nothing harsh about it... very full bass response... only OD pedal I use.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 12\/15\/2005\u003c\/strong\u003e\u003cbr\u003e“Incredible gain effect! One of the best I’ve ever played.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 11\/2\/2005\u003cbr\u003e\u003c\/strong\u003e“The sound for me is simply unbeatable. I have been giggin' with it for the last 2 years and every time I stomp on it, it impresses me. Its just so warm and full… it is the best there is. A must have for any rocker.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 9\/6\/2005\u003cbr\u003e\u003c\/strong\u003e“I play in the UK’s top Hendrix tribute, and this pedal helps me to get the sounds that I am after. If you want a pedal that will do a nice boost through to thick overdriven fuzzy sounds that still responds to your picking and guitar vol dynamics, look no further. Every guitar player will find a use for this pedal.”\u003c\/p\u003e\n\u003ch4\u003e\n\u003cbr\u003eABOUT CROWTHER AUDIO\u003c\/h4\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eCrowther Audio was established over thirty years ago by Paul Crowther from New Zealand with his first and a seminal product the Crowther Hotcake, the initial one was made in 1976, while he was in the UK touring with Split Enz with the Finn brothers from Crowded house fame. The Hotcake was designed to leave the undistorted component of the guitar sound unchanged, while providing a nice fat distortion sound without resorting to a treble cut circuit which will also affect the guitar tonality.\u003c\/p\u003e\n\u003cp\u003eThe products are still made today in New Zealand by Paul, and since the Hotcake inception some thirty years ago, Crowther Audio has released two other products: the Prunes \u0026amp; Custard, a Harmonic generator, and the double Hotcake. Crowther Audio is committed to making high quality analogue guitar products, that ethos has inspired many famous users from Mark Knopfler to Noel Gallagher to use Crowther products on their material and its distinctive tone can clearly be heard on many of their most famous hits.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"embed-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/woXyVATj_M0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e"}

{"id":6618557382,"title":"Crowther Audio Hotcake","handle":"hotcake","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\n\u003cspan style=\"color: #76a5af;\"\u003eA true boutique classic - more than 40 years old, and still one of the best!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp\u003eSome major artists that used the Hotcake over the last 4 decades:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSplit Endz\u003c\/li\u003e\n\u003cli\u003eCrowded House\u003c\/li\u003e\n\u003cli\u003eNeil Finn\u003c\/li\u003e\n\u003cli\u003eMark Knopfler\u003c\/li\u003e\n\u003cli\u003eRadiohead\u003c\/li\u003e\n\u003cli\u003eStevie Ray Vaughan\u003c\/li\u003e\n\u003cli\u003eNoel Gallagher (Oasis)\u003c\/li\u003e\n\u003cli\u003eRolling Stones\u003c\/li\u003e\n\u003cli\u003eBlur\u003c\/li\u003e\n\u003cli\u003eViolent Femmes\u003c\/li\u003e\n\u003cli\u003eSonic Youth\u003c\/li\u003e\n\u003cli\u003eINXS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe first Hotcake was made in 1976, while creator Paul Crowther was in the UK with Split Enz. It is designed to leave the undistorted component of the guitar sound unchanged, while providing a nice fat distortion sound without resorting to a treble cut circuit which will also affect the guitar tonality. \u2028\u2028With the Drive and Presence controls set to minimum, and the Level at around 2 o’clock, you should be hard pressed to hear any change in the sound at all when you switch the Hotcake in and out. You can get a clean volume boost by increasing the Level control. Increasing the Drive will give you a thick distortion sound with a little bit of edge to it, and the Presence control adds some mid-range punch to the sounds.\u2028\u2028The Hotcake also handles chords superbly, just like an overdriven amp.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eThe Hotcake is perfectly sonically tuner to EL84 tube amps like the Vox AC series.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eNote: \u003c\/strong\u003e\u003cem\u003eSince 2008, The Hotcake has included a jumper switch system. This system allows the user to change the setting to The Hotcake Bluesberry specification. Using the same jumper switch system you have a Bass Accentuation facility. We advise the user that the settings should not be altered on a regular basis – the jumper switch system is in place to allow the user to fix a setting and is not intended as a constant switching option.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt is recommended that the Hotcake is patched between the guitar and amplifier, rather than into an amplifier’s effect loop.\u2028Generally speaking, if you are happy with your guitar and amplifier combination, the Hotcake will work well as a primary distortion.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch4\u003eTECHNICAL SPECIFICATIONS\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eInternal switch to choose Bluesberry or standard options\u003c\/li\u003e\n\u003cli\u003eInternal switch to opt for bass voicing\u003c\/li\u003e\n\u003cli\u003eInput impedance: 1M ohm (equivalent to a typical valve amplifier)\u003c\/li\u003e\n\u003cli\u003eOutput impedance: less than 13K ohm\u003c\/li\u003e\n\u003cli\u003eRecommended minimum output load impedance: 100K ohm\u003c\/li\u003e\n\u003cli\u003eBypass type: circuit converts into a high quality buffer with simple, quiet, seamless switching, using gold plated contacts\u003c\/li\u003e\n\u003cli\u003ePhase polarity: non inverting\u003c\/li\u003e\n\u003cli\u003eContinuous current consumption approx 3.5 mA (LED on)\u003c\/li\u003e\n\u003cli\u003eExternal power supply socket 9-12VDC, 2.1mm, pin negative. Compatible with most popular AC adapters\u003c\/li\u003e\n\u003cli\u003eIf more than one pedal is powered from the same adapter, a regulated type should be used to minimise “hum” (100\/120hz) which can be caused by circulating ripple currents\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003e\u003cstrong\u003eREVIEWS \u0026amp; USER COMMENTS\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 1\/16\/2006\u003c\/strong\u003e\u003cbr\u003e“Beautiful harmonic distortion, controlled feedback, thick growl... hard to describe… I love it with my setup... it is a very warm sounding overdrive pedal... nothing harsh about it... very full bass response... only OD pedal I use.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 12\/15\/2005\u003c\/strong\u003e\u003cbr\u003e“Incredible gain effect! One of the best I’ve ever played.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 11\/2\/2005\u003cbr\u003e\u003c\/strong\u003e“The sound for me is simply unbeatable. I have been giggin' with it for the last 2 years and every time I stomp on it, it impresses me. Its just so warm and full… it is the best there is. A must have for any rocker.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 9\/6\/2005\u003cbr\u003e\u003c\/strong\u003e“I play in the UK’s top Hendrix tribute, and this pedal helps me to get the sounds that I am after. If you want a pedal that will do a nice boost through to thick overdriven fuzzy sounds that still responds to your picking and guitar vol dynamics, look no further. Every guitar player will find a use for this pedal.”\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\n\u003cbr\u003eABOUT CROWTHER AUDIO\u003c\/h4\u003e\n\u003cp\u003eCrowther Audio was established over thirty years ago by Paul Crowther from New Zealand with his first and a seminal product the Crowther Hotcake, the initial one was made in 1976, while he was in the UK touring with Split Enz with the Finn brothers from Crowded house fame. The Hotcake was designed to leave the undistorted component of the guitar sound unchanged, while providing a nice fat distortion sound without resorting to a treble cut circuit which will also affect the guitar tonality.\u003c\/p\u003e\n\u003cp\u003eThe products are still made today in New Zealand by Paul, and since the Hotcake inception some thirty years ago, Crowther Audio has released two other products: the Prunes \u0026amp; Custard, a Harmonic generator, and the double Hotcake. Crowther Audio is committed to making high quality analogue guitar products, that ethos has inspired many famous users from Mark Knopfler to Noel Gallagher to use Crowther products on their material and its distinctive tone can clearly be heard on many of their most famous hits.\u003cbr\u003e \u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"embed-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/UvHjCgPk8jI\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2016-06-05T19:17:00+10:00","created_at":"2016-06-05T20:13:08+10:00","vendor":"Crowther Audio","type":"Pedal","tags":["Boost","Overdrive","reverbsync-offers:off","reverbsync-shipping-profile:Pedals \u0026 Accessories over $200"],"price":22900,"price_min":22900,"price_max":22900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":20927919366,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"CA-HC","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Crowther Audio Hotcake","public_title":null,"options":["Default Title"],"price":22900,"weight":400,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/CA_Hotcake_web.jpg?v=1465122633"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/CA_Hotcake_web.jpg?v=1465122633","options":["Title"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\n\u003cspan style=\"color: #76a5af;\"\u003eA true boutique classic - more than 40 years old, and still one of the best!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp\u003eSome major artists that used the Hotcake over the last 4 decades:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSplit Endz\u003c\/li\u003e\n\u003cli\u003eCrowded House\u003c\/li\u003e\n\u003cli\u003eNeil Finn\u003c\/li\u003e\n\u003cli\u003eMark Knopfler\u003c\/li\u003e\n\u003cli\u003eRadiohead\u003c\/li\u003e\n\u003cli\u003eStevie Ray Vaughan\u003c\/li\u003e\n\u003cli\u003eNoel Gallagher (Oasis)\u003c\/li\u003e\n\u003cli\u003eRolling Stones\u003c\/li\u003e\n\u003cli\u003eBlur\u003c\/li\u003e\n\u003cli\u003eViolent Femmes\u003c\/li\u003e\n\u003cli\u003eSonic Youth\u003c\/li\u003e\n\u003cli\u003eINXS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe first Hotcake was made in 1976, while creator Paul Crowther was in the UK with Split Enz. It is designed to leave the undistorted component of the guitar sound unchanged, while providing a nice fat distortion sound without resorting to a treble cut circuit which will also affect the guitar tonality. \u2028\u2028With the Drive and Presence controls set to minimum, and the Level at around 2 o’clock, you should be hard pressed to hear any change in the sound at all when you switch the Hotcake in and out. You can get a clean volume boost by increasing the Level control. Increasing the Drive will give you a thick distortion sound with a little bit of edge to it, and the Presence control adds some mid-range punch to the sounds.\u2028\u2028The Hotcake also handles chords superbly, just like an overdriven amp.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eThe Hotcake is perfectly sonically tuner to EL84 tube amps like the Vox AC series.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eNote: \u003c\/strong\u003e\u003cem\u003eSince 2008, The Hotcake has included a jumper switch system. This system allows the user to change the setting to The Hotcake Bluesberry specification. Using the same jumper switch system you have a Bass Accentuation facility. We advise the user that the settings should not be altered on a regular basis – the jumper switch system is in place to allow the user to fix a setting and is not intended as a constant switching option.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt is recommended that the Hotcake is patched between the guitar and amplifier, rather than into an amplifier’s effect loop.\u2028Generally speaking, if you are happy with your guitar and amplifier combination, the Hotcake will work well as a primary distortion.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch4\u003eTECHNICAL SPECIFICATIONS\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eInternal switch to choose Bluesberry or standard options\u003c\/li\u003e\n\u003cli\u003eInternal switch to opt for bass voicing\u003c\/li\u003e\n\u003cli\u003eInput impedance: 1M ohm (equivalent to a typical valve amplifier)\u003c\/li\u003e\n\u003cli\u003eOutput impedance: less than 13K ohm\u003c\/li\u003e\n\u003cli\u003eRecommended minimum output load impedance: 100K ohm\u003c\/li\u003e\n\u003cli\u003eBypass type: circuit converts into a high quality buffer with simple, quiet, seamless switching, using gold plated contacts\u003c\/li\u003e\n\u003cli\u003ePhase polarity: non inverting\u003c\/li\u003e\n\u003cli\u003eContinuous current consumption approx 3.5 mA (LED on)\u003c\/li\u003e\n\u003cli\u003eExternal power supply socket 9-12VDC, 2.1mm, pin negative. Compatible with most popular AC adapters\u003c\/li\u003e\n\u003cli\u003eIf more than one pedal is powered from the same adapter, a regulated type should be used to minimise “hum” (100\/120hz) which can be caused by circulating ripple currents\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003e\u003cstrong\u003eREVIEWS \u0026amp; USER COMMENTS\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 1\/16\/2006\u003c\/strong\u003e\u003cbr\u003e“Beautiful harmonic distortion, controlled feedback, thick growl... hard to describe… I love it with my setup... it is a very warm sounding overdrive pedal... nothing harsh about it... very full bass response... only OD pedal I use.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 12\/15\/2005\u003c\/strong\u003e\u003cbr\u003e“Incredible gain effect! One of the best I’ve ever played.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 11\/2\/2005\u003cbr\u003e\u003c\/strong\u003e“The sound for me is simply unbeatable. I have been giggin' with it for the last 2 years and every time I stomp on it, it impresses me. Its just so warm and full… it is the best there is. A must have for any rocker.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 9\/6\/2005\u003cbr\u003e\u003c\/strong\u003e“I play in the UK’s top Hendrix tribute, and this pedal helps me to get the sounds that I am after. If you want a pedal that will do a nice boost through to thick overdriven fuzzy sounds that still responds to your picking and guitar vol dynamics, look no further. Every guitar player will find a use for this pedal.”\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\n\u003cbr\u003eABOUT CROWTHER AUDIO\u003c\/h4\u003e\n\u003cp\u003eCrowther Audio was established over thirty years ago by Paul Crowther from New Zealand with his first and a seminal product the Crowther Hotcake, the initial one was made in 1976, while he was in the UK touring with Split Enz with the Finn brothers from Crowded house fame. The Hotcake was designed to leave the undistorted component of the guitar sound unchanged, while providing a nice fat distortion sound without resorting to a treble cut circuit which will also affect the guitar tonality.\u003c\/p\u003e\n\u003cp\u003eThe products are still made today in New Zealand by Paul, and since the Hotcake inception some thirty years ago, Crowther Audio has released two other products: the Prunes \u0026amp; Custard, a Harmonic generator, and the double Hotcake. Crowther Audio is committed to making high quality analogue guitar products, that ethos has inspired many famous users from Mark Knopfler to Noel Gallagher to use Crowther products on their material and its distinctive tone can clearly be heard on many of their most famous hits.\u003cbr\u003e \u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"embed-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/UvHjCgPk8jI\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e"}

{"id":6618871110,"title":"Crowther Audio Prunes \u0026 Custard","handle":"prunes-custard","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar and Bass Magazine 2006 overall pedal of the year, this harmonic generator-intermodulator combines distortion with odd-order harmonic overtones.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Prunes \u0026amp; Custard is a two-stage circuit. There is a preamp stage, the gain of which is adjusted with the Drive control.\u2028 \u2028This stage is followed by a special wave-shaping distortion circuit. There is some treble roll-off between the preamp and the special distortion circuit.\u003c\/p\u003e\n\u003cp\u003eThe frequency at which this treble roll-off happens can be changed with the Guitar\/Bass switch. The special distortion stage produces strong harmonic overtones, mostly odd harmonic. Higher harmonics are progressively introduced with increased Drive settings and signal level, so a decaying bass guitar note can sound like a mean swept filter. Playing double notes, like 4ths or 5ths can produce some strong  \u2028intermodulation effects, rather like a ring modulator, but more musical, albeit more distorted! The Mix control is a balance between the preamp stage output, (CCW) and the special distortion stage output (CW). For bass guitar, the Mix control would usually be set at around 10 to 12 o’clock.\u2028 For guitar, a high  Mix setting, along with reduced Drive can give some rather pleasant overdrive effects. Where the Drive and Mix controls are set are set to higher settings. the sound can become all harmonics, with very little fundamental signal, and in some situations may sound a bit thin, especially for bass guitar, but setting the LoFreq Contour switch to the right takes some low frequency from the Preamp side of the Mix control and mixes it back with the special distortion side.\u2028 When used as an effect in a live mixing or recording situation, the P\u0026amp;C can be driven from a spare aux send or channel direct out and returned to a spare input channel. In this situation the Mix control would be set to maximum, and there is the added flexibility of being able to apply EQ to the distortion effect, and to use it dynamically within a mix. This is quite useful for (yet another) overdriven snare sound, and for toms. To avoid things getting too out of hand, inserting a noise gate on the return, and maybe keying it from the send signal can be a useful idea.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eLevel\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eControls the overall output volume\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eMix\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eActs as a balance between the preamp output and the distortion stage output. For “normal” use for bass guitar, this would be set at around a 1\/3rd to 2\/3rd. (“10 O’clock to 2 o’clock”)\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eDrive\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eAdjusts the gain of the preamp stage from unity to around 100x (0 to +40 db). Of course with sufficient input\/drive, the preamp stage can be overdriven.LF Retain\u2028takes some low frequency from the preamp.\u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"embed-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/yHPDLHa0j8A\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e","published_at":"2016-06-05T19:17:00+10:00","created_at":"2016-06-05T21:05:52+10:00","vendor":"Crowther Audio","type":"Pedal","tags":["Bass","Distortion","Fuzz","Modulation","Overdrive","reverbsync-offers:off","reverbsync-shipping-profile:Pedals \u0026 Accessories over $200"],"price":24900,"price_min":24900,"price_max":24900,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":20928471366,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"CA-PC","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Crowther Audio Prunes \u0026 Custard","public_title":null,"options":["Default Title"],"price":24900,"weight":500,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/CA_Prunes_Custard_web.jpg?v=1465124929"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/CA_Prunes_Custard_web.jpg?v=1465124929","options":["Title"],"content":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar and Bass Magazine 2006 overall pedal of the year, this harmonic generator-intermodulator combines distortion with odd-order harmonic overtones.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Prunes \u0026amp; Custard is a two-stage circuit. There is a preamp stage, the gain of which is adjusted with the Drive control.\u2028 \u2028This stage is followed by a special wave-shaping distortion circuit. There is some treble roll-off between the preamp and the special distortion circuit.\u003c\/p\u003e\n\u003cp\u003eThe frequency at which this treble roll-off happens can be changed with the Guitar\/Bass switch. The special distortion stage produces strong harmonic overtones, mostly odd harmonic. Higher harmonics are progressively introduced with increased Drive settings and signal level, so a decaying bass guitar note can sound like a mean swept filter. Playing double notes, like 4ths or 5ths can produce some strong  \u2028intermodulation effects, rather like a ring modulator, but more musical, albeit more distorted! The Mix control is a balance between the preamp stage output, (CCW) and the special distortion stage output (CW). For bass guitar, the Mix control would usually be set at around 10 to 12 o’clock.\u2028 For guitar, a high  Mix setting, along with reduced Drive can give some rather pleasant overdrive effects. Where the Drive and Mix controls are set are set to higher settings. the sound can become all harmonics, with very little fundamental signal, and in some situations may sound a bit thin, especially for bass guitar, but setting the LoFreq Contour switch to the right takes some low frequency from the Preamp side of the Mix control and mixes it back with the special distortion side.\u2028 When used as an effect in a live mixing or recording situation, the P\u0026amp;C can be driven from a spare aux send or channel direct out and returned to a spare input channel. In this situation the Mix control would be set to maximum, and there is the added flexibility of being able to apply EQ to the distortion effect, and to use it dynamically within a mix. This is quite useful for (yet another) overdriven snare sound, and for toms. To avoid things getting too out of hand, inserting a noise gate on the return, and maybe keying it from the send signal can be a useful idea.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eLevel\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eControls the overall output volume\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eMix\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eActs as a balance between the preamp output and the distortion stage output. For “normal” use for bass guitar, this would be set at around a 1\/3rd to 2\/3rd. (“10 O’clock to 2 o’clock”)\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eDrive\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eAdjusts the gain of the preamp stage from unity to around 100x (0 to +40 db). Of course with sufficient input\/drive, the preamp stage can be overdriven.LF Retain\u2028takes some low frequency from the preamp.\u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"embed-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/yHPDLHa0j8A\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e"}

{"id":1573013356631,"title":"GCS-5 Mono Cabinet Simulator \u0026 DI","handle":"gcs-5-mono-cabinet-simulator","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"design-element element-size-box has-rich-content user-selectable-element clickable-element has-rich-content has-text is-section-child\" id=\"id1540320642436\" data-element-id=\"id1540320642436\"\u003e\n\u003cdiv class=\"element-main-box design-element-main-box has-rich-content user-selectable-element clickable-element has-rich-content has-text\" data-element-id=\"id1540320642436\"\u003e\n\u003cdiv class=\"element-border-box element-border-target element-padding-box design-element-border-box has-rich-content user-selectable-element clickable-element has-rich-content has-text\" data-element-id=\"id1540320642436\"\u003e\n\u003cdiv class=\"element-content-box design-element-content-box has-rich-content user-selectable-element clickable-element has-rich-content has-text\" data-element-id=\"id1540320642436\"\u003e\n\u003cdiv class=\"content-container content-container-type element-size-box element-size-target has-rich-content user-selectable-element clickable-element has-rich-content has-text\" data-element-id=\"id1540320642436\"\u003e\n\u003cdiv class=\"rich-text-element-content absolute-fill element-content dir-ltr\"\u003e\n\u003cdiv class=\"rich-text-positioning-wrapper vertical-alignment-top\"\u003e\n\u003cdiv class=\"rich-text-content common-rich-content-style has-content\"\u003e\n\u003cp\u003eGuitar Cabinet Simulator \u0026amp; DI Box with Level Control, LED Meter, Headphone Output and Power Amp Direct-Connect\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTurn any full-range passive or powered monitor speaker or sound system into a dynamic guitar cabinet, loaded with your choice of drivers. No mics, power amps, guitar cabinets needed.  Just take your guitar signal from your pedal board, preamp or power amp and send it to the house sound console or board or powered full-range cabinet. T\u003c\/span\u003e\u003cspan\u003ehe GCS-5 doubles the tonal capabilities of its predecessors by adding an AMERICAN \/ BRITISH speaker type selector switch. The GCS-5 replaces the physical combination of speakers, cabinets and microphones used in live performance and recording with a consistent and “real world” simulation in a small steel enclosure.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"design-element element-size-box has-rich-content user-selectable-element clickable-element has-rich-content has-text is-section-child\" id=\"id1540320642437\" data-element-id=\"id1540320642437\"\u003e\n\u003cdiv class=\"element-main-box design-element-main-box has-rich-content user-selectable-element clickable-element has-rich-content has-text\" data-element-id=\"id1540320642437\"\u003e\n\u003cdiv class=\"element-border-box element-border-target element-padding-box design-element-border-box has-rich-content user-selectable-element clickable-element has-rich-content has-text\" data-element-id=\"id1540320642437\"\u003e\n\u003cdiv class=\"element-content-box design-element-content-box has-rich-content user-selectable-element clickable-element has-rich-content has-text\" data-element-id=\"id1540320642437\"\u003e\n\u003cdiv class=\"content-container content-container-type element-size-box element-size-target has-rich-content user-selectable-element clickable-element has-rich-content has-text\" data-element-id=\"id1540320642437\"\u003e\n\u003cdiv class=\"rich-text-element-content absolute-fill element-content dir-ltr\"\u003e\n\u003cdiv class=\"rich-text-positioning-wrapper vertical-alignment-top\"\u003e\n\u003cdiv class=\"rich-text-content common-rich-content-style has-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe GCS-5 features a unique set of unconventional filters tuned to simulate the acoustic resonances and frequency responses of mic’d guitar speaker cabinets.  The GCS-5 is inserted between the output of your preamplifier, power amp or pedal board and a recording interface or PA system. The GCS-5 includes a LEVEL control with an LED monitoring meter to optimise performance. The XLR OUTPUT is compatible with phantom power, and a 20dB PAD allows for direct connection to power amp outputs. The HEADPHONE OUTPUT with a separate LEVEL control is provided for private monitoring and practice. The GCS-5 puts the guitar player back in control and gives them the opportunity to keep \"their tone\" consistent from gig to gig as well as in the studio.\u003c\/p\u003e\n\u003cp\u003eThe ADA GCS-5 is inserted between the output of your preamplifier (or effects pedal chain) and a mixing or recording console to replace the close proximity microphone that is typically used to mic a guitar speaker cabinet. This eliminates the problem of bleed through or crosstalk from other instruments or amplifiers in live situations. GCS-5 is especially useful for owners of our APP-1 guitar pedal preamp because it can split the output of the APP-1 for sending the signal to a guitar amplifier and to a mixing console for recording, house sound systems and stage monitor systems.\u003c\/p\u003e\n\u003cp\u003eThe GCS-5 is ideally suited for live performance, studio, and practice applications.  A unique feature of the GCS-5 is that it replicates the low frequency natural resonance of a guitar speaker cabinet at loud volumes, which is especially noticeable in the SEALED CABINET configuration. Select from vintage or modern, 10 or 12 inch speakers in a sealed or open back cabinet to get the powerful and rich resonance of a real guitar cabinet, and then dial-in the position of your microphone to balance it out.\u003c\/p\u003e\n\u003cp\u003eWe have tested the GCS-5 in live performances by sending a feed to a stage monitor for the guitarist and eliminating the combo or head with stack. The same feedback that you get from a stack or a hot-rod combo can easily be produced in the monitor, and interestingly, with more control.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\u003cspan style=\"color: #666666;\"\u003eFEATURES AND SPECS\u003c\/span\u003e\u003c\/h4\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eLevel Control with LED Meter\u003c\/li\u003e\n\u003cli\u003eAmerican\/British Speaker\u003c\/li\u003e\n\u003cli\u003ePower Amp Direct-Connect\u003c\/li\u003e\n\u003cli\u003eStereo ¼” Headphone Out \u0026amp; Volume Control\u003c\/li\u003e\n\u003cli\u003eSelectable 10” or 12” Speaker Size\u003c\/li\u003e\n\u003cli\u003eSelectable VINTAGE (Alnico) or MODERN (Ceramic) Speaker Character\u003c\/li\u003e\n\u003cli\u003eSelectable OPEN BACK or SEALED Cabinet Type\u003c\/li\u003e\n\u003cli\u003eVariable MICROPHONE PLACEMENT Control to “position” the mic for deep or bright frequency response.\u003c\/li\u003e\n\u003cli\u003e¼” phone jack INPUT with a direct, un-buffered PASS THROUGH ¼” phone jack. This effectively splits the signal to feed both a guitar amplifier (the THRU) and a mixing console (one of the outputs, either ¼” phone single ended or XLR balanced)\u003c\/li\u003e\n\u003cli\u003e20db PAD \u003c\/li\u003e\n\u003cli\u003eGROUND LIFT for Pin 1\u003c\/li\u003e\n\u003cli\u003ePure Analog Circuit Design using low-noise components\u003c\/li\u003e\n\u003cli\u003eRugged all-steel chassis with durable powder coat finish\u003c\/li\u003e\n\u003cli\u003ePowered by a single industry standard 9-volt AC Adapter, but runs internally at 18 volts for higher headroom and lower noise\u003c\/li\u003e\n\u003cli\u003eDimensions: 85 x 107 x 46mm (w x d x h)\u003c\/li\u003e\n\u003cli\u003eShipping weight: 0.8kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eHand built in California\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/storage.googleapis.com\/wzukusers\/user-34508958\/documents\/5bd0a99bcfc3dgh0G6ZZ\/GCS%20Comparison%20Chart.png\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan\u003eGCS model comparison chart\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e\"I have a GCS, and with the right preamp it sounds every bit as good as a loud tube amp. I love what ADA is doing, and I love this demo! Great job man.\" – Matt Pacco\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cdiv class=\"embed-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/vt-2vIiYMJs\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cem\u003e \u003c\/em\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e","published_at":"2018-11-16T10:46:13+10:00","created_at":"2018-11-16T11:31:18+10:00","vendor":"A\/DA Amplification","type":"Pedal","tags":["Boxing Day Sale","Cabinet Simulator","Cyber Monday Sale","DI Box","reverbsync-offers:off","reverbsync-shipping-profile:Pedals \u0026 Accessories over $200","Speaker Simulator","Utility","Utility \u0026 Switching"],"price":26900,"price_min":26900,"price_max":26900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":15449433636951,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"ADA-GCS-5","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"GCS-5 Mono Cabinet Simulator \u0026 DI","public_title":null,"options":["Default Title"],"price":26900,"weight":800,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/ADA_GCS-5_face_web.jpg?v=1542331926","\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/ADA_GCS-5_angled_web.jpg?v=1542331931","\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/ADA_GCS-5_front_web.jpg?v=1542331937","\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/ADA_GCS-5_top_web.jpg?v=1542331940","\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/GCS_Comparison_Chart_1dd50afd-a560-40b5-97ac-eb63d5ca8c34.png?v=1542333990"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/ADA_GCS-5_face_web.jpg?v=1542331926","options":["Title"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"design-element element-size-box has-rich-content user-selectable-element clickable-element has-rich-content has-text is-section-child\" id=\"id1540320642436\" data-element-id=\"id1540320642436\"\u003e\n\u003cdiv class=\"element-main-box design-element-main-box has-rich-content user-selectable-element clickable-element has-rich-content has-text\" data-element-id=\"id1540320642436\"\u003e\n\u003cdiv class=\"element-border-box element-border-target element-padding-box design-element-border-box has-rich-content user-selectable-element clickable-element has-rich-content has-text\" data-element-id=\"id1540320642436\"\u003e\n\u003cdiv class=\"element-content-box design-element-content-box has-rich-content user-selectable-element clickable-element has-rich-content has-text\" data-element-id=\"id1540320642436\"\u003e\n\u003cdiv class=\"content-container content-container-type element-size-box element-size-target has-rich-content user-selectable-element clickable-element has-rich-content has-text\" data-element-id=\"id1540320642436\"\u003e\n\u003cdiv class=\"rich-text-element-content absolute-fill element-content dir-ltr\"\u003e\n\u003cdiv class=\"rich-text-positioning-wrapper vertical-alignment-top\"\u003e\n\u003cdiv class=\"rich-text-content common-rich-content-style has-content\"\u003e\n\u003cp\u003eGuitar Cabinet Simulator \u0026amp; DI Box with Level Control, LED Meter, Headphone Output and Power Amp Direct-Connect\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTurn any full-range passive or powered monitor speaker or sound system into a dynamic guitar cabinet, loaded with your choice of drivers. No mics, power amps, guitar cabinets needed.  Just take your guitar signal from your pedal board, preamp or power amp and send it to the house sound console or board or powered full-range cabinet. T\u003c\/span\u003e\u003cspan\u003ehe GCS-5 doubles the tonal capabilities of its predecessors by adding an AMERICAN \/ BRITISH speaker type selector switch. The GCS-5 replaces the physical combination of speakers, cabinets and microphones used in live performance and recording with a consistent and “real world” simulation in a small steel enclosure.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"design-element element-size-box has-rich-content user-selectable-element clickable-element has-rich-content has-text is-section-child\" id=\"id1540320642437\" data-element-id=\"id1540320642437\"\u003e\n\u003cdiv class=\"element-main-box design-element-main-box has-rich-content user-selectable-element clickable-element has-rich-content has-text\" data-element-id=\"id1540320642437\"\u003e\n\u003cdiv class=\"element-border-box element-border-target element-padding-box design-element-border-box has-rich-content user-selectable-element clickable-element has-rich-content has-text\" data-element-id=\"id1540320642437\"\u003e\n\u003cdiv class=\"element-content-box design-element-content-box has-rich-content user-selectable-element clickable-element has-rich-content has-text\" data-element-id=\"id1540320642437\"\u003e\n\u003cdiv class=\"content-container content-container-type element-size-box element-size-target has-rich-content user-selectable-element clickable-element has-rich-content has-text\" data-element-id=\"id1540320642437\"\u003e\n\u003cdiv class=\"rich-text-element-content absolute-fill element-content dir-ltr\"\u003e\n\u003cdiv class=\"rich-text-positioning-wrapper vertical-alignment-top\"\u003e\n\u003cdiv class=\"rich-text-content common-rich-content-style has-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe GCS-5 features a unique set of unconventional filters tuned to simulate the acoustic resonances and frequency responses of mic’d guitar speaker cabinets.  The GCS-5 is inserted between the output of your preamplifier, power amp or pedal board and a recording interface or PA system. The GCS-5 includes a LEVEL control with an LED monitoring meter to optimise performance. The XLR OUTPUT is compatible with phantom power, and a 20dB PAD allows for direct connection to power amp outputs. The HEADPHONE OUTPUT with a separate LEVEL control is provided for private monitoring and practice. The GCS-5 puts the guitar player back in control and gives them the opportunity to keep \"their tone\" consistent from gig to gig as well as in the studio.\u003c\/p\u003e\n\u003cp\u003eThe ADA GCS-5 is inserted between the output of your preamplifier (or effects pedal chain) and a mixing or recording console to replace the close proximity microphone that is typically used to mic a guitar speaker cabinet. This eliminates the problem of bleed through or crosstalk from other instruments or amplifiers in live situations. GCS-5 is especially useful for owners of our APP-1 guitar pedal preamp because it can split the output of the APP-1 for sending the signal to a guitar amplifier and to a mixing console for recording, house sound systems and stage monitor systems.\u003c\/p\u003e\n\u003cp\u003eThe GCS-5 is ideally suited for live performance, studio, and practice applications.  A unique feature of the GCS-5 is that it replicates the low frequency natural resonance of a guitar speaker cabinet at loud volumes, which is especially noticeable in the SEALED CABINET configuration. Select from vintage or modern, 10 or 12 inch speakers in a sealed or open back cabinet to get the powerful and rich resonance of a real guitar cabinet, and then dial-in the position of your microphone to balance it out.\u003c\/p\u003e\n\u003cp\u003eWe have tested the GCS-5 in live performances by sending a feed to a stage monitor for the guitarist and eliminating the combo or head with stack. The same feedback that you get from a stack or a hot-rod combo can easily be produced in the monitor, and interestingly, with more control.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\u003cspan style=\"color: #666666;\"\u003eFEATURES AND SPECS\u003c\/span\u003e\u003c\/h4\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eLevel Control with LED Meter\u003c\/li\u003e\n\u003cli\u003eAmerican\/British Speaker\u003c\/li\u003e\n\u003cli\u003ePower Amp Direct-Connect\u003c\/li\u003e\n\u003cli\u003eStereo ¼” Headphone Out \u0026amp; Volume Control\u003c\/li\u003e\n\u003cli\u003eSelectable 10” or 12” Speaker Size\u003c\/li\u003e\n\u003cli\u003eSelectable VINTAGE (Alnico) or MODERN (Ceramic) Speaker Character\u003c\/li\u003e\n\u003cli\u003eSelectable OPEN BACK or SEALED Cabinet Type\u003c\/li\u003e\n\u003cli\u003eVariable MICROPHONE PLACEMENT Control to “position” the mic for deep or bright frequency response.\u003c\/li\u003e\n\u003cli\u003e¼” phone jack INPUT with a direct, un-buffered PASS THROUGH ¼” phone jack. This effectively splits the signal to feed both a guitar amplifier (the THRU) and a mixing console (one of the outputs, either ¼” phone single ended or XLR balanced)\u003c\/li\u003e\n\u003cli\u003e20db PAD \u003c\/li\u003e\n\u003cli\u003eGROUND LIFT for Pin 1\u003c\/li\u003e\n\u003cli\u003ePure Analog Circuit Design using low-noise components\u003c\/li\u003e\n\u003cli\u003eRugged all-steel chassis with durable powder coat finish\u003c\/li\u003e\n\u003cli\u003ePowered by a single industry standard 9-volt AC Adapter, but runs internally at 18 volts for higher headroom and lower noise\u003c\/li\u003e\n\u003cli\u003eDimensions: 85 x 107 x 46mm (w x d x h)\u003c\/li\u003e\n\u003cli\u003eShipping weight: 0.8kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eHand built in California\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/storage.googleapis.com\/wzukusers\/user-34508958\/documents\/5bd0a99bcfc3dgh0G6ZZ\/GCS%20Comparison%20Chart.png\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan\u003eGCS model comparison chart\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e\"I have a GCS, and with the right preamp it sounds every bit as good as a loud tube amp. I love what ADA is doing, and I love this demo! Great job man.\" – Matt Pacco\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cdiv class=\"embed-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/vt-2vIiYMJs\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cem\u003e \u003c\/em\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e"}

{"id":2552113603,"title":"Gentleman (Large)","handle":"gentleman-large","description":"\u003cp\u003eFor the guitarist who has everything! Powdercoated aluminium boards with hand finished solid timber ends. This is the deepest option available which comes in three different widths and a range of connection end plates. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"line-height: 1.4;\"\u003e\u003cstrong\u003eSHIPPED DIRECT FROM MELBOURNE \u003cbr\u003e\u003c\/strong\u003e\u003c\/strong\u003eFor a quick and simple quote, go to \u003ca href=\"http:\/\/www.packsend.com.au\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ePack \u0026amp; Track\u003c\/a\u003e quoting the relevant option (packed sizes and weights noted below) and entering shipping from postcode 3136.\u003c\/p\u003e\n\u003cp\u003eWrapped sizes and weights:\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e600 x 460 Gentleman: 68cm x 52cm x 16cm (4.5kg)\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e600 x 46\u003c\/span\u003e0 Gentleman and flightcase: 79cm x 61cm x 30cm (15kg)\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cp\u003e\u003cstrong style=\"line-height: 1.4;\"\u003eSPECS \u0026amp; OPTIONS \u003cbr\u003e\u003c\/strong\u003eThese boards have been designed to allow for various connection options including IEC to IEC, Powercon to IEC, and 1\/4\" Redco locking jacks to name a few. With a very low profile front edge the board offers a gradual incline yet considerable underneath storage for even the largest of power supplies. This depth has also been adopted to allow for the use of the of switchers\/loopers and two to three rows of pedals behind them. Finished in satin black powder coat and fitted with high quality thermoplastic rubber feet they're a board to suit any home decor or stage. The timber species used is \u003cstrong\u003eQueensland Spotted Gum\u003c\/strong\u003e, a sustainable native Australian timber with a high Janka rating of 11.0 which will provide long term durability as well as a touch of refinement to these boards. The 460mm boards also have the option of solid timber ends (see the pic).\u003c\/p\u003e\n\u003cp\u003eGentleman boards are made from precision cut and folded 2.5mm aluminium sheet. Folded at just the right angle to give excellent pedal reach and underneath power supply storage height. Connection end plates are CNC turret punch pressed from 1.2mm galvanised mild steel.\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #cc0000;\"\u003e\u003cstrong\u003eNOTE: cable and power jacks are optional extras - refer to separate item listing.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003eAll boards include 2 connection end plates\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003e460mm boards have choice of standard routed or solid timber ends\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003ePrices do not include freight\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCompetitive freight quote soon after confirmation of order\u003c\/li\u003e\n\u003cli\u003eSent direct from Caseman in Melbourne\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.4;\"\u003eP\u003c\/span\u003e\u003cspan style=\"line-height: 1.4;\"\u003erices do not include any cables, pedals or power supplies\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe board pictured measures 600mm wide x 460mm deep (24 x 18\"), and is shown with the blank end plate option and the IEC \/ D-Series x 4 end plates.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFLIGHTCASES \u003cbr\u003e\u003c\/strong\u003eMade from only the best parts and materials by C\u0026amp;C Cases in Melbourne, including 10mm thick flight panel, quality Australian made aluminium extrusion edging riveted at 200mm centres, Dunlop flexible foam inner, and 100% Penn Elcom hardware.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"embed-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/LVwXp9mXHAA\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2018-05-05T19:51:55+10:00","created_at":"2015-09-12T16:58:04+10:00","vendor":"Caseman","type":"Pedalboard","tags":["Pedalboard","reverbsync-offers:off","reverbsync-shipping-profile:Pedals \u0026 Accessories over $200"],"price":29900,"price_min":29900,"price_max":59900,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7447148547,"title":"600 x 460 board only","option1":"600 x 460 board only","option2":null,"option3":null,"sku":"CM-GM-600x460","requires_shipping":false,"taxable":true,"featured_image":{"id":9623077766,"product_id":2552113603,"position":1,"created_at":"2016-02-19T18:42:17+10:00","updated_at":"2016-09-09T17:19:54+10:00","alt":null,"width":878,"height":1024,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/600_x_460_Gentleman.jpg?v=1473405594","variant_ids":[7447148547]},"available":false,"name":"Gentleman (Large) - 600 x 460 board only","public_title":"600 x 460 board only","options":["600 x 460 board only"],"price":29900,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":""},{"id":7447296259,"title":"600 x 460 board and flightcase","option1":"600 x 460 board and flightcase","option2":null,"option3":null,"sku":"CM-GM-600x460-FC","requires_shipping":false,"taxable":true,"featured_image":{"id":9623087046,"product_id":2552113603,"position":2,"created_at":"2016-02-19T18:42:55+10:00","updated_at":"2016-09-09T17:19:54+10:00","alt":null,"width":878,"height":1024,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/600_x_460_Gentleman_in_case.jpg?v=1473405594","variant_ids":[7447296259]},"available":false,"name":"Gentleman (Large) - 600 x 460 board and flightcase","public_title":"600 x 460 board and flightcase","options":["600 x 460 board and flightcase"],"price":59900,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/600_x_460_Gentleman.jpg?v=1473405594","\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/600_x_460_Gentleman_in_case.jpg?v=1473405594","\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/Caseman_End_Options.jpg?v=1473405594","\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/C_C_Connectors_web_53820093-54f1-4b56-b398-5d66e7518b6f.jpg?v=1473405594","\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/400_x_460_Gentleman_empty.jpg?v=1473405594","\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/C_C_Gentleman_Large_web_loaded-rear.jpg?v=1473405594"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/600_x_460_Gentleman.jpg?v=1473405594","options":["Size"],"content":"\u003cp\u003eFor the guitarist who has everything! Powdercoated aluminium boards with hand finished solid timber ends. This is the deepest option available which comes in three different widths and a range of connection end plates. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"line-height: 1.4;\"\u003e\u003cstrong\u003eSHIPPED DIRECT FROM MELBOURNE \u003cbr\u003e\u003c\/strong\u003e\u003c\/strong\u003eFor a quick and simple quote, go to \u003ca href=\"http:\/\/www.packsend.com.au\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ePack \u0026amp; Track\u003c\/a\u003e quoting the relevant option (packed sizes and weights noted below) and entering shipping from postcode 3136.\u003c\/p\u003e\n\u003cp\u003eWrapped sizes and weights:\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e600 x 460 Gentleman: 68cm x 52cm x 16cm (4.5kg)\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e600 x 46\u003c\/span\u003e0 Gentleman and flightcase: 79cm x 61cm x 30cm (15kg)\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cp\u003e\u003cstrong style=\"line-height: 1.4;\"\u003eSPECS \u0026amp; OPTIONS \u003cbr\u003e\u003c\/strong\u003eThese boards have been designed to allow for various connection options including IEC to IEC, Powercon to IEC, and 1\/4\" Redco locking jacks to name a few. With a very low profile front edge the board offers a gradual incline yet considerable underneath storage for even the largest of power supplies. This depth has also been adopted to allow for the use of the of switchers\/loopers and two to three rows of pedals behind them. Finished in satin black powder coat and fitted with high quality thermoplastic rubber feet they're a board to suit any home decor or stage. The timber species used is \u003cstrong\u003eQueensland Spotted Gum\u003c\/strong\u003e, a sustainable native Australian timber with a high Janka rating of 11.0 which will provide long term durability as well as a touch of refinement to these boards. The 460mm boards also have the option of solid timber ends (see the pic).\u003c\/p\u003e\n\u003cp\u003eGentleman boards are made from precision cut and folded 2.5mm aluminium sheet. Folded at just the right angle to give excellent pedal reach and underneath power supply storage height. Connection end plates are CNC turret punch pressed from 1.2mm galvanised mild steel.\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #cc0000;\"\u003e\u003cstrong\u003eNOTE: cable and power jacks are optional extras - refer to separate item listing.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003eAll boards include 2 connection end plates\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003e460mm boards have choice of standard routed or solid timber ends\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003ePrices do not include freight\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCompetitive freight quote soon after confirmation of order\u003c\/li\u003e\n\u003cli\u003eSent direct from Caseman in Melbourne\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.4;\"\u003eP\u003c\/span\u003e\u003cspan style=\"line-height: 1.4;\"\u003erices do not include any cables, pedals or power supplies\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe board pictured measures 600mm wide x 460mm deep (24 x 18\"), and is shown with the blank end plate option and the IEC \/ D-Series x 4 end plates.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFLIGHTCASES \u003cbr\u003e\u003c\/strong\u003eMade from only the best parts and materials by C\u0026amp;C Cases in Melbourne, including 10mm thick flight panel, quality Australian made aluminium extrusion edging riveted at 200mm centres, Dunlop flexible foam inner, and 100% Penn Elcom hardware.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"embed-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/LVwXp9mXHAA\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e"}

{"id":1364194721879,"title":"Gentleman Flatboard 400 x 200mm","handle":"gentleman-flatboard-400-x-200mm","description":"\u003cp\u003eFor the guitarist who has everything! Powdercoated aluminium boards with hand finished solid timber ends. This is an incredibly versatile option for small fly-rig type boards.\u003c\/p\u003e\n\u003cp\u003eGentleman boards are made from precision cut and folded 2.5mm aluminium sheet. Folded at just the right angle to give excellent pedal reach and underneath power supply storage height. Connection end plates are CNC turret punch pressed from 1.2mm galvanised mild steel.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003eWidth 400mm not including timber ends\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003eDepth 200mm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eClear height underneath is 35mm – enough space to fit Strymon Engineering power supplies and some MIDI junction boxes!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2018-05-05T19:51:55+10:00","created_at":"2018-08-10T21:49:22+10:00","vendor":"Caseman","type":"Pedalboard","tags":["Cyber Monday Sale","Pedalboard","reverbsync-offers:off","reverbsync-shipping-profile:Pedals \u0026 Accessories over $200"],"price":17900,"price_min":17900,"price_max":17900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":12475159806039,"title":"Spotted Gum","option1":"Spotted Gum","option2":null,"option3":null,"sku":"CM-GM-FB-400-SG","requires_shipping":true,"taxable":true,"featured_image":{"id":3711462473815,"product_id":1364194721879,"position":1,"created_at":"2018-08-10T21:49:34+10:00","updated_at":"2018-08-10T21:49:34+10:00","alt":null,"width":878,"height":1024,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/GM_Flatboard_400.jpg?v=1533901774","variant_ids":[12475159806039,12475159838807]},"available":true,"name":"Gentleman Flatboard 400 x 200mm - Spotted Gum","public_title":"Spotted Gum","options":["Spotted Gum"],"price":17900,"weight":1400,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":""},{"id":12475159838807,"title":"Jarrah","option1":"Jarrah","option2":null,"option3":null,"sku":"CM-GM-FB-400-JH","requires_shipping":true,"taxable":true,"featured_image":{"id":3711462473815,"product_id":1364194721879,"position":1,"created_at":"2018-08-10T21:49:34+10:00","updated_at":"2018-08-10T21:49:34+10:00","alt":null,"width":878,"height":1024,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/GM_Flatboard_400.jpg?v=1533901774","variant_ids":[12475159806039,12475159838807]},"available":true,"name":"Gentleman Flatboard 400 x 200mm - Jarrah","public_title":"Jarrah","options":["Jarrah"],"price":17900,"weight":1400,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/GM_Flatboard_400.jpg?v=1533901774","\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/group_27b9e8f1-9f20-4e66-a6f2-6d6c64cfe8b0.jpg?v=1533901778"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/GM_Flatboard_400.jpg?v=1533901774","options":["Timber"],"content":"\u003cp\u003eFor the guitarist who has everything! Powdercoated aluminium boards with hand finished solid timber ends. This is an incredibly versatile option for small fly-rig type boards.\u003c\/p\u003e\n\u003cp\u003eGentleman boards are made from precision cut and folded 2.5mm aluminium sheet. Folded at just the right angle to give excellent pedal reach and underneath power supply storage height. Connection end plates are CNC turret punch pressed from 1.2mm galvanised mild steel.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003eWidth 400mm not including timber ends\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003eDepth 200mm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eClear height underneath is 35mm – enough space to fit Strymon Engineering power supplies and some MIDI junction boxes!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e"}

{"id":1364193378391,"title":"Gentleman Flatboard 500 x 200mm","handle":"gentleman-flatboard-500-x-200mm","description":"\u003cp\u003eFor the guitarist who has everything! Powdercoated aluminium boards with hand finished solid timber ends. This is an incredibly versatile option for small fly-rig type boards.\u003c\/p\u003e\n\u003cp\u003eGentleman boards are made from precision cut and folded 2.5mm aluminium sheet. Folded at just the right angle to give excellent pedal reach and underneath power supply storage height. Connection end plates are CNC turret punch pressed from 1.2mm galvanised mild steel.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003eWidth 500mm not including timber ends\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003eDepth 200mm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eClear height underneath is 35mm – enough space to fit Strymon Engineering power supplies and some MIDI junction boxes!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2018-05-05T19:51:55+10:00","created_at":"2018-08-10T21:47:01+10:00","vendor":"Caseman","type":"Pedalboard","tags":["Cyber Monday Sale","Pedalboard","reverbsync-offers:off","reverbsync-shipping-profile:Pedals \u0026 Accessories over $200"],"price":18900,"price_min":18900,"price_max":18900,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":12475137392727,"title":"Spotted Gum","option1":"Spotted Gum","option2":null,"option3":null,"sku":"CM-GM-FB-500-SG","requires_shipping":true,"taxable":true,"featured_image":{"id":3711459295319,"product_id":1364193378391,"position":1,"created_at":"2018-08-10T21:48:06+10:00","updated_at":"2018-08-10T21:48:06+10:00","alt":null,"width":878,"height":1024,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/GM_Flatboard_500.jpg?v=1533901686","variant_ids":[12475137392727,12475137425495]},"available":false,"name":"Gentleman Flatboard 500 x 200mm - Spotted Gum","public_title":"Spotted Gum","options":["Spotted Gum"],"price":18900,"weight":1400,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":""},{"id":12475137425495,"title":"Jarrah","option1":"Jarrah","option2":null,"option3":null,"sku":"CM-GM-FB-500-JH","requires_shipping":true,"taxable":true,"featured_image":{"id":3711459295319,"product_id":1364193378391,"position":1,"created_at":"2018-08-10T21:48:06+10:00","updated_at":"2018-08-10T21:48:06+10:00","alt":null,"width":878,"height":1024,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/GM_Flatboard_500.jpg?v=1533901686","variant_ids":[12475137392727,12475137425495]},"available":false,"name":"Gentleman Flatboard 500 x 200mm - Jarrah","public_title":"Jarrah","options":["Jarrah"],"price":18900,"weight":1400,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/GM_Flatboard_500.jpg?v=1533901686","\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/group.jpg?v=1533901690"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/GM_Flatboard_500.jpg?v=1533901686","options":["Timber"],"content":"\u003cp\u003eFor the guitarist who has everything! Powdercoated aluminium boards with hand finished solid timber ends. This is an incredibly versatile option for small fly-rig type boards.\u003c\/p\u003e\n\u003cp\u003eGentleman boards are made from precision cut and folded 2.5mm aluminium sheet. Folded at just the right angle to give excellent pedal reach and underneath power supply storage height. Connection end plates are CNC turret punch pressed from 1.2mm galvanised mild steel.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003eWidth 500mm not including timber ends\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003eDepth 200mm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eClear height underneath is 35mm – enough space to fit Strymon Engineering power supplies and some MIDI junction boxes!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e"}