{"id":2544096259,"title":"Animals Pedal I Was a Wolf in the Forest Distortion","handle":"i-was-a-wolf-in-the-forest-distortion-2","description":"A Wolf in the Forest is many things just like this Nine Volt Pedal's creation. Aggressive like a large black stack in the night, or stealthy just like a predator ready to pounce when the volume is wound down. The Wolf's howl is Variable as well and can be subtly adjusted via the tone pot or via its hidden presence and bass trim pots that are deep in the belly of the beast, unlike many wolves this Wolf is decidedly British sounding.\u003cbr\u003e\n\u003cp\u003e\u003cspan\u003eThis howling beast does anything from a really nice clean boost up to growling menacing high gain!\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003eDrive, Tone and Volume controls\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003eInternal trim pots to adjust Presence and Bass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTrue bypass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e9V battery or standard 9VDC negative tip adaptor\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCurrent draw 6mA\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInput impedance 500K ohms\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOutput impedance 10K ohms\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDesigned in Japan by One Control\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eArtwork by \u003ca href=\"http:\/\/www.jonasclaesson.com\/\" target=\"_blank\" title=\"Jonas Claesson\" rel=\"noopener noreferrer\"\u003eJonas Claesson\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"embed-container\"\u003e\n\u003cdiv class=\"embed-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/53M_Qs-Medk\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2015-11-10T06:22:00+10:00","created_at":"2015-09-12T00:04:01+10:00","vendor":"Animals Pedal","type":"Pedal","tags":["Boost","Distortion","Flash Sale","Happy Birthday","Hot Winter Sale","Overdrive","reverbsync-offers:off","reverbsync-shipping-profile:Pedals \u0026 Accessories over $200"],"price":10900,"price_min":10900,"price_max":10900,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7421423491,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"NV-WFD","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Animals Pedal I Was a Wolf in the Forest Distortion","public_title":null,"options":["Default Title"],"price":10900,"weight":350,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/NVP_Distortion_Front_web.jpg?v=1445509060","\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/NVP_Distortion_Side_web.jpg?v=1445509066"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/NVP_Distortion_Front_web.jpg?v=1445509060","options":["Title"],"media":[{"alt":null,"id":33951318103,"position":1,"preview_image":{"aspect_ratio":0.857,"height":1024,"width":878,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/NVP_Distortion_Front_web.jpg?v=1568704584"},"aspect_ratio":0.857,"height":1024,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/NVP_Distortion_Front_web.jpg?v=1568704584","width":878},{"alt":null,"id":33951350871,"position":2,"preview_image":{"aspect_ratio":0.857,"height":1024,"width":878,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/NVP_Distortion_Side_web.jpg?v=1568704584"},"aspect_ratio":0.857,"height":1024,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/NVP_Distortion_Side_web.jpg?v=1568704584","width":878}],"content":"A Wolf in the Forest is many things just like this Nine Volt Pedal's creation. Aggressive like a large black stack in the night, or stealthy just like a predator ready to pounce when the volume is wound down. The Wolf's howl is Variable as well and can be subtly adjusted via the tone pot or via its hidden presence and bass trim pots that are deep in the belly of the beast, unlike many wolves this Wolf is decidedly British sounding.\u003cbr\u003e\n\u003cp\u003e\u003cspan\u003eThis howling beast does anything from a really nice clean boost up to growling menacing high gain!\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003eDrive, Tone and Volume controls\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003eInternal trim pots to adjust Presence and Bass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTrue bypass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e9V battery or standard 9VDC negative tip adaptor\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCurrent draw 6mA\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInput impedance 500K ohms\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOutput impedance 10K ohms\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDesigned in Japan by One Control\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eArtwork by \u003ca href=\"http:\/\/www.jonasclaesson.com\/\" target=\"_blank\" title=\"Jonas Claesson\" rel=\"noopener noreferrer\"\u003eJonas Claesson\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"embed-container\"\u003e\n\u003cdiv class=\"embed-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/53M_Qs-Medk\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e"}

{"id":6618644166,"title":"Crowther Audio Double Hotcake","handle":"double-hotcake","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\n\u003cspan style=\"color: #76a5af;\"\u003eA true boutique classic - and here you have two of them in one box!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Double Hotcake has two Hotcakes 'A' and 'B' in one box. The A is a Bluesberry version, and the B a normal version (the \"Bluesberry\" voicing of the Hotcake has a slightly less buzzy edge at the onset of distortion, and often works well when guitarists have amplifiers with extra extreme treble boost, like some Marshalls for instance). Both have three knobs and a footswitch as with regular Hotcakes. If both Hotcakes are switched on together, the A Hotcake drives the B, and its controls are bypassed, but an extra Drive control is switched in to adjust the its gain. There is also an extra clipping stage and a reduction in low frequencies to make for a better lead sound in the high gain situation. The A Hotcake has the usual buffered bypass (the circuit becomes a buffer in bypass mode), while the B Hotcake is hard bypassed using gold plated contacts.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eMAJOR ARTISTS THAT HAVE USED THE HOTCAKE\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eSplit Endz\u003c\/li\u003e\n\u003cli\u003eCrowded House\u003c\/li\u003e\n\u003cli\u003eNeil Finn\u003c\/li\u003e\n\u003cli\u003eMark Knopfler\u003c\/li\u003e\n\u003cli\u003eRadiohead\u003c\/li\u003e\n\u003cli\u003eStevie Ray Vaughan\u003c\/li\u003e\n\u003cli\u003eNoel Gallagher (Oasis)\u003c\/li\u003e\n\u003cli\u003eRolling Stones\u003c\/li\u003e\n\u003cli\u003eBlur\u003c\/li\u003e\n\u003cli\u003eViolent Femmes\u003c\/li\u003e\n\u003cli\u003eSonic Youth\u003c\/li\u003e\n\u003cli\u003eINXS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe first Hotcake was made in 1976, while creator Paul Crowther was in the UK with Split Enz. It is designed to leave the undistorted component of the guitar sound unchanged, while providing a nice fat distortion sound without resorting to a treble cut circuit which will also affect the guitar tonality. \u2028\u2028With the Drive and Presence controls set to minimum, and the Level at around 2 o’clock, you should be hard pressed to hear any change in the sound at all when you switch the Hotcake in and out. You can get a clean volume boost by increasing the Level control. Increasing the Drive will give you a thick distortion sound with a little bit of edge to it, and the Presence control adds some mid-range punch to the sounds.\u2028\u2028The Hotcake also handles chords superbly, just like an overdriven amp.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eThe Hotcake is perfectly sonically tuner to EL84 tube amps like the Vox AC series.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eNote: \u003c\/strong\u003e\u003cem\u003eSince 2008, The Hotcake has included a jumper switch system. This system allows the user to change the setting to The Hotcake Bluesberry specification. Using the same jumper switch system you have a Bass Accentuation facility. We advise the user that the settings should not be altered on a regular basis – the jumper switch system is in place to allow the user to fix a setting and is not intended as a constant switching option.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt is recommended that the Hotcake is patched between the guitar and amplifier, rather than into an amplifier’s effect loop.\u2028Generally speaking, if you are happy with your guitar and amplifier combination, the Hotcake will work well as a primary distortion.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch4\u003eTECHNICAL SPECIFICATIONS\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eInput impedance: 1M ohm (equivalent to a typical valve amplifier)\u003c\/li\u003e\n\u003cli\u003eOutput impedance: less than 13K ohm\u003c\/li\u003e\n\u003cli\u003eRecommended minimum output load impedance: 100K ohm\u003c\/li\u003e\n\u003cli\u003eBypass type: circuit converts into a high quality buffer with simple, quiet, seamless switching, using gold plated contacts\u003c\/li\u003e\n\u003cli\u003ePhase polarity: non inverting\u003c\/li\u003e\n\u003cli\u003eContinuous current consumption approx 3.5 mA (LED on)\u003c\/li\u003e\n\u003cli\u003eExternal power supply socket 9-12VDC, 2.1mm, pin negative. Compatible with most popular AC adapters\u003c\/li\u003e\n\u003cli\u003eIf more than one pedal is powered from the same adapter, a regulated type should be used to minimise “hum” (100\/120hz) which can be caused by circulating ripple currents\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003e\u003cstrong\u003eREVIEWS \u0026amp; USER COMMENTS\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 1\/16\/2006\u003c\/strong\u003e\u003cbr\u003e“Beautiful harmonic distortion, controlled feedback, thick growl... hard to describe… I love it with my setup... it is a very warm sounding overdrive pedal... nothing harsh about it... very full bass response... only OD pedal I use.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 12\/15\/2005\u003c\/strong\u003e\u003cbr\u003e“Incredible gain effect! One of the best I’ve ever played.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 11\/2\/2005\u003cbr\u003e\u003c\/strong\u003e“The sound for me is simply unbeatable. I have been giggin' with it for the last 2 years and every time I stomp on it, it impresses me. Its just so warm and full… it is the best there is. A must have for any rocker.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 9\/6\/2005\u003cbr\u003e\u003c\/strong\u003e“I play in the UK’s top Hendrix tribute, and this pedal helps me to get the sounds that I am after. If you want a pedal that will do a nice boost through to thick overdriven fuzzy sounds that still responds to your picking and guitar vol dynamics, look no further. Every guitar player will find a use for this pedal.”\u003c\/p\u003e\n\u003ch4\u003e\n\u003cbr\u003eABOUT CROWTHER AUDIO\u003c\/h4\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eCrowther Audio was established over thirty years ago by Paul Crowther from New Zealand with his first and a seminal product the Crowther Hotcake, the initial one was made in 1976, while he was in the UK touring with Split Enz with the Finn brothers from Crowded house fame. The Hotcake was designed to leave the undistorted component of the guitar sound unchanged, while providing a nice fat distortion sound without resorting to a treble cut circuit which will also affect the guitar tonality.\u003c\/p\u003e\n\u003cp\u003eThe products are still made today in New Zealand by Paul, and since the Hotcake inception some thirty years ago, Crowther Audio has released two other products: the Prunes \u0026amp; Custard, a Harmonic generator, and the double Hotcake. Crowther Audio is committed to making high quality analogue guitar products, that ethos has inspired many famous users from Mark Knopfler to Noel Gallagher to use Crowther products on their material and its distinctive tone can clearly be heard on many of their most famous hits.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"embed-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/woXyVATj_M0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e","published_at":"2016-06-05T19:17:00+10:00","created_at":"2016-06-05T20:32:32+10:00","vendor":"Crowther Audio","type":"Pedal","tags":["Boost","Happy Birthday","Overdrive","reverbsync-offers:off","reverbsync-shipping-profile:Pedals \u0026 Accessories over $200"],"price":46900,"price_min":46900,"price_max":46900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":20928130694,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"CA-DH","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Crowther Audio Double Hotcake","public_title":null,"options":["Default Title"],"price":46900,"weight":600,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/CA_Double_Hotcake_web.jpg?v=1465123436"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/CA_Double_Hotcake_web.jpg?v=1465123436","options":["Title"],"media":[{"alt":null,"id":74182590551,"position":1,"preview_image":{"aspect_ratio":0.857,"height":1024,"width":878,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/CA_Double_Hotcake_web.jpg?v=1568753945"},"aspect_ratio":0.857,"height":1024,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/CA_Double_Hotcake_web.jpg?v=1568753945","width":878}],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\n\u003cspan style=\"color: #76a5af;\"\u003eA true boutique classic - and here you have two of them in one box!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Double Hotcake has two Hotcakes 'A' and 'B' in one box. The A is a Bluesberry version, and the B a normal version (the \"Bluesberry\" voicing of the Hotcake has a slightly less buzzy edge at the onset of distortion, and often works well when guitarists have amplifiers with extra extreme treble boost, like some Marshalls for instance). Both have three knobs and a footswitch as with regular Hotcakes. If both Hotcakes are switched on together, the A Hotcake drives the B, and its controls are bypassed, but an extra Drive control is switched in to adjust the its gain. There is also an extra clipping stage and a reduction in low frequencies to make for a better lead sound in the high gain situation. The A Hotcake has the usual buffered bypass (the circuit becomes a buffer in bypass mode), while the B Hotcake is hard bypassed using gold plated contacts.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eMAJOR ARTISTS THAT HAVE USED THE HOTCAKE\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eSplit Endz\u003c\/li\u003e\n\u003cli\u003eCrowded House\u003c\/li\u003e\n\u003cli\u003eNeil Finn\u003c\/li\u003e\n\u003cli\u003eMark Knopfler\u003c\/li\u003e\n\u003cli\u003eRadiohead\u003c\/li\u003e\n\u003cli\u003eStevie Ray Vaughan\u003c\/li\u003e\n\u003cli\u003eNoel Gallagher (Oasis)\u003c\/li\u003e\n\u003cli\u003eRolling Stones\u003c\/li\u003e\n\u003cli\u003eBlur\u003c\/li\u003e\n\u003cli\u003eViolent Femmes\u003c\/li\u003e\n\u003cli\u003eSonic Youth\u003c\/li\u003e\n\u003cli\u003eINXS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe first Hotcake was made in 1976, while creator Paul Crowther was in the UK with Split Enz. It is designed to leave the undistorted component of the guitar sound unchanged, while providing a nice fat distortion sound without resorting to a treble cut circuit which will also affect the guitar tonality. \u2028\u2028With the Drive and Presence controls set to minimum, and the Level at around 2 o’clock, you should be hard pressed to hear any change in the sound at all when you switch the Hotcake in and out. You can get a clean volume boost by increasing the Level control. Increasing the Drive will give you a thick distortion sound with a little bit of edge to it, and the Presence control adds some mid-range punch to the sounds.\u2028\u2028The Hotcake also handles chords superbly, just like an overdriven amp.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eThe Hotcake is perfectly sonically tuner to EL84 tube amps like the Vox AC series.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eNote: \u003c\/strong\u003e\u003cem\u003eSince 2008, The Hotcake has included a jumper switch system. This system allows the user to change the setting to The Hotcake Bluesberry specification. Using the same jumper switch system you have a Bass Accentuation facility. We advise the user that the settings should not be altered on a regular basis – the jumper switch system is in place to allow the user to fix a setting and is not intended as a constant switching option.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt is recommended that the Hotcake is patched between the guitar and amplifier, rather than into an amplifier’s effect loop.\u2028Generally speaking, if you are happy with your guitar and amplifier combination, the Hotcake will work well as a primary distortion.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch4\u003eTECHNICAL SPECIFICATIONS\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eInput impedance: 1M ohm (equivalent to a typical valve amplifier)\u003c\/li\u003e\n\u003cli\u003eOutput impedance: less than 13K ohm\u003c\/li\u003e\n\u003cli\u003eRecommended minimum output load impedance: 100K ohm\u003c\/li\u003e\n\u003cli\u003eBypass type: circuit converts into a high quality buffer with simple, quiet, seamless switching, using gold plated contacts\u003c\/li\u003e\n\u003cli\u003ePhase polarity: non inverting\u003c\/li\u003e\n\u003cli\u003eContinuous current consumption approx 3.5 mA (LED on)\u003c\/li\u003e\n\u003cli\u003eExternal power supply socket 9-12VDC, 2.1mm, pin negative. Compatible with most popular AC adapters\u003c\/li\u003e\n\u003cli\u003eIf more than one pedal is powered from the same adapter, a regulated type should be used to minimise “hum” (100\/120hz) which can be caused by circulating ripple currents\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003e\u003cstrong\u003eREVIEWS \u0026amp; USER COMMENTS\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 1\/16\/2006\u003c\/strong\u003e\u003cbr\u003e“Beautiful harmonic distortion, controlled feedback, thick growl... hard to describe… I love it with my setup... it is a very warm sounding overdrive pedal... nothing harsh about it... very full bass response... only OD pedal I use.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 12\/15\/2005\u003c\/strong\u003e\u003cbr\u003e“Incredible gain effect! One of the best I’ve ever played.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 11\/2\/2005\u003cbr\u003e\u003c\/strong\u003e“The sound for me is simply unbeatable. I have been giggin' with it for the last 2 years and every time I stomp on it, it impresses me. Its just so warm and full… it is the best there is. A must have for any rocker.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 9\/6\/2005\u003cbr\u003e\u003c\/strong\u003e“I play in the UK’s top Hendrix tribute, and this pedal helps me to get the sounds that I am after. If you want a pedal that will do a nice boost through to thick overdriven fuzzy sounds that still responds to your picking and guitar vol dynamics, look no further. Every guitar player will find a use for this pedal.”\u003c\/p\u003e\n\u003ch4\u003e\n\u003cbr\u003eABOUT CROWTHER AUDIO\u003c\/h4\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eCrowther Audio was established over thirty years ago by Paul Crowther from New Zealand with his first and a seminal product the Crowther Hotcake, the initial one was made in 1976, while he was in the UK touring with Split Enz with the Finn brothers from Crowded house fame. The Hotcake was designed to leave the undistorted component of the guitar sound unchanged, while providing a nice fat distortion sound without resorting to a treble cut circuit which will also affect the guitar tonality.\u003c\/p\u003e\n\u003cp\u003eThe products are still made today in New Zealand by Paul, and since the Hotcake inception some thirty years ago, Crowther Audio has released two other products: the Prunes \u0026amp; Custard, a Harmonic generator, and the double Hotcake. Crowther Audio is committed to making high quality analogue guitar products, that ethos has inspired many famous users from Mark Knopfler to Noel Gallagher to use Crowther products on their material and its distinctive tone can clearly be heard on many of their most famous hits.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"embed-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/woXyVATj_M0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e"}

{"id":6618557382,"title":"Crowther Audio Hotcake","handle":"hotcake","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\n\u003cspan style=\"color: #76a5af;\"\u003eA true boutique classic - more than 40 years old, and still one of the best!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp\u003eSome major artists that used the Hotcake over the last 4 decades:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSplit Endz\u003c\/li\u003e\n\u003cli\u003eCrowded House\u003c\/li\u003e\n\u003cli\u003eNeil Finn\u003c\/li\u003e\n\u003cli\u003eMark Knopfler\u003c\/li\u003e\n\u003cli\u003eRadiohead\u003c\/li\u003e\n\u003cli\u003eStevie Ray Vaughan\u003c\/li\u003e\n\u003cli\u003eNoel Gallagher (Oasis)\u003c\/li\u003e\n\u003cli\u003eRolling Stones\u003c\/li\u003e\n\u003cli\u003eBlur\u003c\/li\u003e\n\u003cli\u003eViolent Femmes\u003c\/li\u003e\n\u003cli\u003eSonic Youth\u003c\/li\u003e\n\u003cli\u003eINXS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe first Hotcake was made in 1976, while creator Paul Crowther was in the UK with Split Enz. It is designed to leave the undistorted component of the guitar sound unchanged, while providing a nice fat distortion sound without resorting to a treble cut circuit which will also affect the guitar tonality. \u2028\u2028With the Drive and Presence controls set to minimum, and the Level at around 2 o’clock, you should be hard pressed to hear any change in the sound at all when you switch the Hotcake in and out. You can get a clean volume boost by increasing the Level control. Increasing the Drive will give you a thick distortion sound with a little bit of edge to it, and the Presence control adds some mid-range punch to the sounds.\u2028\u2028The Hotcake also handles chords superbly, just like an overdriven amp.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eThe Hotcake is perfectly sonically tuner to EL84 tube amps like the Vox AC series.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eNote: \u003c\/strong\u003e\u003cem\u003eSince 2008, The Hotcake has included a jumper switch system. This system allows the user to change the setting to The Hotcake Bluesberry specification. Using the same jumper switch system you have a Bass Accentuation facility. We advise the user that the settings should not be altered on a regular basis – the jumper switch system is in place to allow the user to fix a setting and is not intended as a constant switching option.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt is recommended that the Hotcake is patched between the guitar and amplifier, rather than into an amplifier’s effect loop.\u2028Generally speaking, if you are happy with your guitar and amplifier combination, the Hotcake will work well as a primary distortion.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch4\u003eTECHNICAL SPECIFICATIONS\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eInternal switch to choose Bluesberry or standard options\u003c\/li\u003e\n\u003cli\u003eInternal switch to opt for bass voicing\u003c\/li\u003e\n\u003cli\u003eInput impedance: 1M ohm (equivalent to a typical valve amplifier)\u003c\/li\u003e\n\u003cli\u003eOutput impedance: less than 13K ohm\u003c\/li\u003e\n\u003cli\u003eRecommended minimum output load impedance: 100K ohm\u003c\/li\u003e\n\u003cli\u003eBypass type: circuit converts into a high quality buffer with simple, quiet, seamless switching, using gold plated contacts\u003c\/li\u003e\n\u003cli\u003ePhase polarity: non inverting\u003c\/li\u003e\n\u003cli\u003eContinuous current consumption approx 3.5 mA (LED on)\u003c\/li\u003e\n\u003cli\u003eExternal power supply socket 9-12VDC, 2.1mm, pin negative. Compatible with most popular AC adapters\u003c\/li\u003e\n\u003cli\u003eIf more than one pedal is powered from the same adapter, a regulated type should be used to minimise “hum” (100\/120hz) which can be caused by circulating ripple currents\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003e\u003cstrong\u003eREVIEWS \u0026amp; USER COMMENTS\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 1\/16\/2006\u003c\/strong\u003e\u003cbr\u003e“Beautiful harmonic distortion, controlled feedback, thick growl... hard to describe… I love it with my setup... it is a very warm sounding overdrive pedal... nothing harsh about it... very full bass response... only OD pedal I use.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 12\/15\/2005\u003c\/strong\u003e\u003cbr\u003e“Incredible gain effect! One of the best I’ve ever played.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 11\/2\/2005\u003cbr\u003e\u003c\/strong\u003e“The sound for me is simply unbeatable. I have been giggin' with it for the last 2 years and every time I stomp on it, it impresses me. Its just so warm and full… it is the best there is. A must have for any rocker.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 9\/6\/2005\u003cbr\u003e\u003c\/strong\u003e“I play in the UK’s top Hendrix tribute, and this pedal helps me to get the sounds that I am after. If you want a pedal that will do a nice boost through to thick overdriven fuzzy sounds that still responds to your picking and guitar vol dynamics, look no further. Every guitar player will find a use for this pedal.”\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\n\u003cbr\u003eABOUT CROWTHER AUDIO\u003c\/h4\u003e\n\u003cp\u003eCrowther Audio was established over thirty years ago by Paul Crowther from New Zealand with his first and a seminal product the Crowther Hotcake, the initial one was made in 1976, while he was in the UK touring with Split Enz with the Finn brothers from Crowded house fame. The Hotcake was designed to leave the undistorted component of the guitar sound unchanged, while providing a nice fat distortion sound without resorting to a treble cut circuit which will also affect the guitar tonality.\u003c\/p\u003e\n\u003cp\u003eThe products are still made today in New Zealand by Paul, and since the Hotcake inception some thirty years ago, Crowther Audio has released two other products: the Prunes \u0026amp; Custard, a Harmonic generator, and the double Hotcake. Crowther Audio is committed to making high quality analogue guitar products, that ethos has inspired many famous users from Mark Knopfler to Noel Gallagher to use Crowther products on their material and its distinctive tone can clearly be heard on many of their most famous hits.\u003cbr\u003e \u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"embed-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/UvHjCgPk8jI\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2016-06-05T19:17:00+10:00","created_at":"2016-06-05T20:13:08+10:00","vendor":"Crowther Audio","type":"Pedal","tags":["Boost","Happy Birthday","Overdrive","reverbsync-offers:off","reverbsync-shipping-profile:Pedals \u0026 Accessories over $200"],"price":23900,"price_min":23900,"price_max":23900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":20927919366,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"CA-HC","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Crowther Audio Hotcake","public_title":null,"options":["Default Title"],"price":23900,"weight":400,"compare_at_price":null,"inventory_quantity":5,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/CA_Hotcake_web.jpg?v=1465122633"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/CA_Hotcake_web.jpg?v=1465122633","options":["Title"],"media":[{"alt":null,"id":74182230103,"position":1,"preview_image":{"aspect_ratio":0.857,"height":1024,"width":878,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/CA_Hotcake_web.jpg?v=1568753945"},"aspect_ratio":0.857,"height":1024,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/CA_Hotcake_web.jpg?v=1568753945","width":878}],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\n\u003cspan style=\"color: #76a5af;\"\u003eA true boutique classic - more than 40 years old, and still one of the best!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp\u003eSome major artists that used the Hotcake over the last 4 decades:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSplit Endz\u003c\/li\u003e\n\u003cli\u003eCrowded House\u003c\/li\u003e\n\u003cli\u003eNeil Finn\u003c\/li\u003e\n\u003cli\u003eMark Knopfler\u003c\/li\u003e\n\u003cli\u003eRadiohead\u003c\/li\u003e\n\u003cli\u003eStevie Ray Vaughan\u003c\/li\u003e\n\u003cli\u003eNoel Gallagher (Oasis)\u003c\/li\u003e\n\u003cli\u003eRolling Stones\u003c\/li\u003e\n\u003cli\u003eBlur\u003c\/li\u003e\n\u003cli\u003eViolent Femmes\u003c\/li\u003e\n\u003cli\u003eSonic Youth\u003c\/li\u003e\n\u003cli\u003eINXS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe first Hotcake was made in 1976, while creator Paul Crowther was in the UK with Split Enz. It is designed to leave the undistorted component of the guitar sound unchanged, while providing a nice fat distortion sound without resorting to a treble cut circuit which will also affect the guitar tonality. \u2028\u2028With the Drive and Presence controls set to minimum, and the Level at around 2 o’clock, you should be hard pressed to hear any change in the sound at all when you switch the Hotcake in and out. You can get a clean volume boost by increasing the Level control. Increasing the Drive will give you a thick distortion sound with a little bit of edge to it, and the Presence control adds some mid-range punch to the sounds.\u2028\u2028The Hotcake also handles chords superbly, just like an overdriven amp.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eThe Hotcake is perfectly sonically tuner to EL84 tube amps like the Vox AC series.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eNote: \u003c\/strong\u003e\u003cem\u003eSince 2008, The Hotcake has included a jumper switch system. This system allows the user to change the setting to The Hotcake Bluesberry specification. Using the same jumper switch system you have a Bass Accentuation facility. We advise the user that the settings should not be altered on a regular basis – the jumper switch system is in place to allow the user to fix a setting and is not intended as a constant switching option.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt is recommended that the Hotcake is patched between the guitar and amplifier, rather than into an amplifier’s effect loop.\u2028Generally speaking, if you are happy with your guitar and amplifier combination, the Hotcake will work well as a primary distortion.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch4\u003eTECHNICAL SPECIFICATIONS\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eInternal switch to choose Bluesberry or standard options\u003c\/li\u003e\n\u003cli\u003eInternal switch to opt for bass voicing\u003c\/li\u003e\n\u003cli\u003eInput impedance: 1M ohm (equivalent to a typical valve amplifier)\u003c\/li\u003e\n\u003cli\u003eOutput impedance: less than 13K ohm\u003c\/li\u003e\n\u003cli\u003eRecommended minimum output load impedance: 100K ohm\u003c\/li\u003e\n\u003cli\u003eBypass type: circuit converts into a high quality buffer with simple, quiet, seamless switching, using gold plated contacts\u003c\/li\u003e\n\u003cli\u003ePhase polarity: non inverting\u003c\/li\u003e\n\u003cli\u003eContinuous current consumption approx 3.5 mA (LED on)\u003c\/li\u003e\n\u003cli\u003eExternal power supply socket 9-12VDC, 2.1mm, pin negative. Compatible with most popular AC adapters\u003c\/li\u003e\n\u003cli\u003eIf more than one pedal is powered from the same adapter, a regulated type should be used to minimise “hum” (100\/120hz) which can be caused by circulating ripple currents\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003e\u003cstrong\u003eREVIEWS \u0026amp; USER COMMENTS\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 1\/16\/2006\u003c\/strong\u003e\u003cbr\u003e“Beautiful harmonic distortion, controlled feedback, thick growl... hard to describe… I love it with my setup... it is a very warm sounding overdrive pedal... nothing harsh about it... very full bass response... only OD pedal I use.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 12\/15\/2005\u003c\/strong\u003e\u003cbr\u003e“Incredible gain effect! One of the best I’ve ever played.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 11\/2\/2005\u003cbr\u003e\u003c\/strong\u003e“The sound for me is simply unbeatable. I have been giggin' with it for the last 2 years and every time I stomp on it, it impresses me. Its just so warm and full… it is the best there is. A must have for any rocker.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 9\/6\/2005\u003cbr\u003e\u003c\/strong\u003e“I play in the UK’s top Hendrix tribute, and this pedal helps me to get the sounds that I am after. If you want a pedal that will do a nice boost through to thick overdriven fuzzy sounds that still responds to your picking and guitar vol dynamics, look no further. Every guitar player will find a use for this pedal.”\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\n\u003cbr\u003eABOUT CROWTHER AUDIO\u003c\/h4\u003e\n\u003cp\u003eCrowther Audio was established over thirty years ago by Paul Crowther from New Zealand with his first and a seminal product the Crowther Hotcake, the initial one was made in 1976, while he was in the UK touring with Split Enz with the Finn brothers from Crowded house fame. The Hotcake was designed to leave the undistorted component of the guitar sound unchanged, while providing a nice fat distortion sound without resorting to a treble cut circuit which will also affect the guitar tonality.\u003c\/p\u003e\n\u003cp\u003eThe products are still made today in New Zealand by Paul, and since the Hotcake inception some thirty years ago, Crowther Audio has released two other products: the Prunes \u0026amp; Custard, a Harmonic generator, and the double Hotcake. Crowther Audio is committed to making high quality analogue guitar products, that ethos has inspired many famous users from Mark Knopfler to Noel Gallagher to use Crowther products on their material and its distinctive tone can clearly be heard on many of their most famous hits.\u003cbr\u003e \u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"embed-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/UvHjCgPk8jI\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e"}

{"id":4401589518423,"title":"Crowther Audio Hotcake (Secondhand)","handle":"crowther-audio-hotcake-secondhand","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\n\u003cspan style=\"color: #76a5af;\"\u003eA true boutique classic - more than 40 years old, and still one of the best!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp\u003eSome major artists that used the Hotcake over the last 4 decades:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSplit Endz\u003c\/li\u003e\n\u003cli\u003eCrowded House\u003c\/li\u003e\n\u003cli\u003eNeil Finn\u003c\/li\u003e\n\u003cli\u003eMark Knopfler\u003c\/li\u003e\n\u003cli\u003eRadiohead\u003c\/li\u003e\n\u003cli\u003eStevie Ray Vaughan\u003c\/li\u003e\n\u003cli\u003eNoel Gallagher (Oasis)\u003c\/li\u003e\n\u003cli\u003eRolling Stones\u003c\/li\u003e\n\u003cli\u003eBlur\u003c\/li\u003e\n\u003cli\u003eViolent Femmes\u003c\/li\u003e\n\u003cli\u003eSonic Youth\u003c\/li\u003e\n\u003cli\u003eINXS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe first Hotcake was made in 1976, while creator Paul Crowther was in the UK with Split Enz. It is designed to leave the undistorted component of the guitar sound unchanged, while providing a nice fat distortion sound without resorting to a treble cut circuit which will also affect the guitar tonality. \u2028\u2028With the Drive and Presence controls set to minimum, and the Level at around 2 o’clock, you should be hard pressed to hear any change in the sound at all when you switch the Hotcake in and out. You can get a clean volume boost by increasing the Level control. Increasing the Drive will give you a thick distortion sound with a little bit of edge to it, and the Presence control adds some mid-range punch to the sounds.\u2028\u2028The Hotcake also handles chords superbly, just like an overdriven amp.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eThe Hotcake is perfectly sonically tuner to EL84 tube amps like the Vox AC series.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eNote: \u003c\/strong\u003e\u003cem\u003eSince 2008, The Hotcake has included a jumper switch system. This system allows the user to change the setting to The Hotcake Bluesberry specification. Using the same jumper switch system you have a Bass Accentuation facility. We advise the user that the settings should not be altered on a regular basis – the jumper switch system is in place to allow the user to fix a setting and is not intended as a constant switching option.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt is recommended that the Hotcake is patched between the guitar and amplifier, rather than into an amplifier’s effect loop.\u2028Generally speaking, if you are happy with your guitar and amplifier combination, the Hotcake will work well as a primary distortion.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch4\u003eTECHNICAL SPECIFICATIONS\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eInternal switch to choose Bluesberry or standard options\u003c\/li\u003e\n\u003cli\u003eInternal switch to opt for bass voicing\u003c\/li\u003e\n\u003cli\u003eInput impedance: 1M ohm (equivalent to a typical valve amplifier)\u003c\/li\u003e\n\u003cli\u003eOutput impedance: less than 13K ohm\u003c\/li\u003e\n\u003cli\u003eRecommended minimum output load impedance: 100K ohm\u003c\/li\u003e\n\u003cli\u003eBypass type: circuit converts into a high quality buffer with simple, quiet, seamless switching, using gold plated contacts\u003c\/li\u003e\n\u003cli\u003ePhase polarity: non inverting\u003c\/li\u003e\n\u003cli\u003eContinuous current consumption approx 3.5 mA (LED on)\u003c\/li\u003e\n\u003cli\u003eExternal power supply socket 9-12VDC, 2.1mm, pin negative. Compatible with most popular AC adapters\u003c\/li\u003e\n\u003cli\u003eIf more than one pedal is powered from the same adapter, a regulated type should be used to minimise “hum” (100\/120hz) which can be caused by circulating ripple currents\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003e\u003cstrong\u003eREVIEWS \u0026amp; USER COMMENTS\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 1\/16\/2006\u003c\/strong\u003e\u003cbr\u003e“Beautiful harmonic distortion, controlled feedback, thick growl... hard to describe… I love it with my setup... it is a very warm sounding overdrive pedal... nothing harsh about it... very full bass response... only OD pedal I use.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 12\/15\/2005\u003c\/strong\u003e\u003cbr\u003e“Incredible gain effect! One of the best I’ve ever played.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 11\/2\/2005\u003cbr\u003e\u003c\/strong\u003e“The sound for me is simply unbeatable. I have been giggin' with it for the last 2 years and every time I stomp on it, it impresses me. Its just so warm and full… it is the best there is. A must have for any rocker.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 9\/6\/2005\u003cbr\u003e\u003c\/strong\u003e“I play in the UK’s top Hendrix tribute, and this pedal helps me to get the sounds that I am after. If you want a pedal that will do a nice boost through to thick overdriven fuzzy sounds that still responds to your picking and guitar vol dynamics, look no further. Every guitar player will find a use for this pedal.”\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\n\u003cbr\u003eABOUT CROWTHER AUDIO\u003c\/h4\u003e\n\u003cp\u003eCrowther Audio was established over thirty years ago by Paul Crowther from New Zealand with his first and a seminal product the Crowther Hotcake, the initial one was made in 1976, while he was in the UK touring with Split Enz with the Finn brothers from Crowded house fame. The Hotcake was designed to leave the undistorted component of the guitar sound unchanged, while providing a nice fat distortion sound without resorting to a treble cut circuit which will also affect the guitar tonality.\u003c\/p\u003e\n\u003cp\u003eThe products are still made today in New Zealand by Paul, and since the Hotcake inception some thirty years ago, Crowther Audio has released two other products: the Prunes \u0026amp; Custard, a Harmonic generator, and the double Hotcake. Crowther Audio is committed to making high quality analogue guitar products, that ethos has inspired many famous users from Mark Knopfler to Noel Gallagher to use Crowther products on their material and its distinctive tone can clearly be heard on many of their most famous hits.\u003cbr\u003e \u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"embed-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/UvHjCgPk8jI\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2020-01-25T19:00:36+10:00","created_at":"2020-01-25T19:00:36+10:00","vendor":"Crowther Audio","type":"Pedal","tags":["Boost","Happy Birthday","Overdrive","reverbsync-offers:off","reverbsync-shipping-profile:Pedals \u0026 Accessories over $200"],"price":19900,"price_min":19900,"price_max":19900,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":31454982144087,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"CA-HC","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Crowther Audio Hotcake (Secondhand)","public_title":null,"options":["Default Title"],"price":19900,"weight":400,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/CA_Hotcake_web_77b5a9a0-7c03-486e-996a-5e8ebfc4d0e3.jpg?v=1579942838"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/CA_Hotcake_web_77b5a9a0-7c03-486e-996a-5e8ebfc4d0e3.jpg?v=1579942838","options":["Title"],"media":[{"alt":null,"id":5793844625495,"position":1,"preview_image":{"aspect_ratio":0.857,"height":1024,"width":878,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/CA_Hotcake_web_77b5a9a0-7c03-486e-996a-5e8ebfc4d0e3.jpg?v=1579942838"},"aspect_ratio":0.857,"height":1024,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/CA_Hotcake_web_77b5a9a0-7c03-486e-996a-5e8ebfc4d0e3.jpg?v=1579942838","width":878}],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\n\u003cspan style=\"color: #76a5af;\"\u003eA true boutique classic - more than 40 years old, and still one of the best!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp\u003eSome major artists that used the Hotcake over the last 4 decades:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSplit Endz\u003c\/li\u003e\n\u003cli\u003eCrowded House\u003c\/li\u003e\n\u003cli\u003eNeil Finn\u003c\/li\u003e\n\u003cli\u003eMark Knopfler\u003c\/li\u003e\n\u003cli\u003eRadiohead\u003c\/li\u003e\n\u003cli\u003eStevie Ray Vaughan\u003c\/li\u003e\n\u003cli\u003eNoel Gallagher (Oasis)\u003c\/li\u003e\n\u003cli\u003eRolling Stones\u003c\/li\u003e\n\u003cli\u003eBlur\u003c\/li\u003e\n\u003cli\u003eViolent Femmes\u003c\/li\u003e\n\u003cli\u003eSonic Youth\u003c\/li\u003e\n\u003cli\u003eINXS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe first Hotcake was made in 1976, while creator Paul Crowther was in the UK with Split Enz. It is designed to leave the undistorted component of the guitar sound unchanged, while providing a nice fat distortion sound without resorting to a treble cut circuit which will also affect the guitar tonality. \u2028\u2028With the Drive and Presence controls set to minimum, and the Level at around 2 o’clock, you should be hard pressed to hear any change in the sound at all when you switch the Hotcake in and out. You can get a clean volume boost by increasing the Level control. Increasing the Drive will give you a thick distortion sound with a little bit of edge to it, and the Presence control adds some mid-range punch to the sounds.\u2028\u2028The Hotcake also handles chords superbly, just like an overdriven amp.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eThe Hotcake is perfectly sonically tuner to EL84 tube amps like the Vox AC series.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eNote: \u003c\/strong\u003e\u003cem\u003eSince 2008, The Hotcake has included a jumper switch system. This system allows the user to change the setting to The Hotcake Bluesberry specification. Using the same jumper switch system you have a Bass Accentuation facility. We advise the user that the settings should not be altered on a regular basis – the jumper switch system is in place to allow the user to fix a setting and is not intended as a constant switching option.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt is recommended that the Hotcake is patched between the guitar and amplifier, rather than into an amplifier’s effect loop.\u2028Generally speaking, if you are happy with your guitar and amplifier combination, the Hotcake will work well as a primary distortion.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch4\u003eTECHNICAL SPECIFICATIONS\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eInternal switch to choose Bluesberry or standard options\u003c\/li\u003e\n\u003cli\u003eInternal switch to opt for bass voicing\u003c\/li\u003e\n\u003cli\u003eInput impedance: 1M ohm (equivalent to a typical valve amplifier)\u003c\/li\u003e\n\u003cli\u003eOutput impedance: less than 13K ohm\u003c\/li\u003e\n\u003cli\u003eRecommended minimum output load impedance: 100K ohm\u003c\/li\u003e\n\u003cli\u003eBypass type: circuit converts into a high quality buffer with simple, quiet, seamless switching, using gold plated contacts\u003c\/li\u003e\n\u003cli\u003ePhase polarity: non inverting\u003c\/li\u003e\n\u003cli\u003eContinuous current consumption approx 3.5 mA (LED on)\u003c\/li\u003e\n\u003cli\u003eExternal power supply socket 9-12VDC, 2.1mm, pin negative. Compatible with most popular AC adapters\u003c\/li\u003e\n\u003cli\u003eIf more than one pedal is powered from the same adapter, a regulated type should be used to minimise “hum” (100\/120hz) which can be caused by circulating ripple currents\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003e\u003cstrong\u003eREVIEWS \u0026amp; USER COMMENTS\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 1\/16\/2006\u003c\/strong\u003e\u003cbr\u003e“Beautiful harmonic distortion, controlled feedback, thick growl... hard to describe… I love it with my setup... it is a very warm sounding overdrive pedal... nothing harsh about it... very full bass response... only OD pedal I use.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 12\/15\/2005\u003c\/strong\u003e\u003cbr\u003e“Incredible gain effect! One of the best I’ve ever played.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 11\/2\/2005\u003cbr\u003e\u003c\/strong\u003e“The sound for me is simply unbeatable. I have been giggin' with it for the last 2 years and every time I stomp on it, it impresses me. Its just so warm and full… it is the best there is. A must have for any rocker.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONY CENTRAL USER REVIEW 9\/6\/2005\u003cbr\u003e\u003c\/strong\u003e“I play in the UK’s top Hendrix tribute, and this pedal helps me to get the sounds that I am after. If you want a pedal that will do a nice boost through to thick overdriven fuzzy sounds that still responds to your picking and guitar vol dynamics, look no further. Every guitar player will find a use for this pedal.”\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\n\u003cbr\u003eABOUT CROWTHER AUDIO\u003c\/h4\u003e\n\u003cp\u003eCrowther Audio was established over thirty years ago by Paul Crowther from New Zealand with his first and a seminal product the Crowther Hotcake, the initial one was made in 1976, while he was in the UK touring with Split Enz with the Finn brothers from Crowded house fame. The Hotcake was designed to leave the undistorted component of the guitar sound unchanged, while providing a nice fat distortion sound without resorting to a treble cut circuit which will also affect the guitar tonality.\u003c\/p\u003e\n\u003cp\u003eThe products are still made today in New Zealand by Paul, and since the Hotcake inception some thirty years ago, Crowther Audio has released two other products: the Prunes \u0026amp; Custard, a Harmonic generator, and the double Hotcake. Crowther Audio is committed to making high quality analogue guitar products, that ethos has inspired many famous users from Mark Knopfler to Noel Gallagher to use Crowther products on their material and its distinctive tone can clearly be heard on many of their most famous hits.\u003cbr\u003e \u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"embed-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/UvHjCgPk8jI\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e"}

{"id":6618871110,"title":"Crowther Audio Prunes \u0026 Custard","handle":"prunes-custard","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar and Bass Magazine 2006 overall pedal of the year, this harmonic generator-intermodulator combines distortion with odd-order harmonic overtones.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Prunes \u0026amp; Custard is a two-stage circuit. There is a preamp stage, the gain of which is adjusted with the Drive control.\u2028 \u2028This stage is followed by a special wave-shaping distortion circuit. There is some treble roll-off between the preamp and the special distortion circuit.\u003c\/p\u003e\n\u003cp\u003eThe frequency at which this treble roll-off happens can be changed with the Guitar\/Bass switch. The special distortion stage produces strong harmonic overtones, mostly odd harmonic. Higher harmonics are progressively introduced with increased Drive settings and signal level, so a decaying bass guitar note can sound like a mean swept filter. Playing double notes, like 4ths or 5ths can produce some strong  \u2028intermodulation effects, rather like a ring modulator, but more musical, albeit more distorted! The Mix control is a balance between the preamp stage output, (CCW) and the special distortion stage output (CW). For bass guitar, the Mix control would usually be set at around 10 to 12 o’clock.\u2028 For guitar, a high  Mix setting, along with reduced Drive can give some rather pleasant overdrive effects. Where the Drive and Mix controls are set are set to higher settings. the sound can become all harmonics, with very little fundamental signal, and in some situations may sound a bit thin, especially for bass guitar, but setting the LoFreq Contour switch to the right takes some low frequency from the Preamp side of the Mix control and mixes it back with the special distortion side.\u2028 When used as an effect in a live mixing or recording situation, the P\u0026amp;C can be driven from a spare aux send or channel direct out and returned to a spare input channel. In this situation the Mix control would be set to maximum, and there is the added flexibility of being able to apply EQ to the distortion effect, and to use it dynamically within a mix. This is quite useful for (yet another) overdriven snare sound, and for toms. To avoid things getting too out of hand, inserting a noise gate on the return, and maybe keying it from the send signal can be a useful idea.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eLevel\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eControls the overall output volume\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eMix\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eActs as a balance between the preamp output and the distortion stage output. For “normal” use for bass guitar, this would be set at around a 1\/3rd to 2\/3rd. (“10 O’clock to 2 o’clock”)\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eDrive\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eAdjusts the gain of the preamp stage from unity to around 100x (0 to +40 db). Of course with sufficient input\/drive, the preamp stage can be overdriven.LF Retain\u2028takes some low frequency from the preamp.\u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"embed-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/yHPDLHa0j8A\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e","published_at":"2016-06-05T19:17:00+10:00","created_at":"2016-06-05T21:05:52+10:00","vendor":"Crowther Audio","type":"Pedal","tags":["Bass","Distortion","Fuzz","Happy Birthday","Modulation","Overdrive","reverbsync-offers:off","reverbsync-shipping-profile:Pedals \u0026 Accessories over $200"],"price":25900,"price_min":25900,"price_max":25900,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":20928471366,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"CA-PC","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Crowther Audio Prunes \u0026 Custard","public_title":null,"options":["Default Title"],"price":25900,"weight":500,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/CA_Prunes_Custard_web.jpg?v=1465124929"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/CA_Prunes_Custard_web.jpg?v=1465124929","options":["Title"],"media":[{"alt":null,"id":74183278679,"position":1,"preview_image":{"aspect_ratio":0.857,"height":1024,"width":878,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/CA_Prunes_Custard_web.jpg?v=1568753945"},"aspect_ratio":0.857,"height":1024,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/CA_Prunes_Custard_web.jpg?v=1568753945","width":878}],"content":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar and Bass Magazine 2006 overall pedal of the year, this harmonic generator-intermodulator combines distortion with odd-order harmonic overtones.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Prunes \u0026amp; Custard is a two-stage circuit. There is a preamp stage, the gain of which is adjusted with the Drive control.\u2028 \u2028This stage is followed by a special wave-shaping distortion circuit. There is some treble roll-off between the preamp and the special distortion circuit.\u003c\/p\u003e\n\u003cp\u003eThe frequency at which this treble roll-off happens can be changed with the Guitar\/Bass switch. The special distortion stage produces strong harmonic overtones, mostly odd harmonic. Higher harmonics are progressively introduced with increased Drive settings and signal level, so a decaying bass guitar note can sound like a mean swept filter. Playing double notes, like 4ths or 5ths can produce some strong  \u2028intermodulation effects, rather like a ring modulator, but more musical, albeit more distorted! The Mix control is a balance between the preamp stage output, (CCW) and the special distortion stage output (CW). For bass guitar, the Mix control would usually be set at around 10 to 12 o’clock.\u2028 For guitar, a high  Mix setting, along with reduced Drive can give some rather pleasant overdrive effects. Where the Drive and Mix controls are set are set to higher settings. the sound can become all harmonics, with very little fundamental signal, and in some situations may sound a bit thin, especially for bass guitar, but setting the LoFreq Contour switch to the right takes some low frequency from the Preamp side of the Mix control and mixes it back with the special distortion side.\u2028 When used as an effect in a live mixing or recording situation, the P\u0026amp;C can be driven from a spare aux send or channel direct out and returned to a spare input channel. In this situation the Mix control would be set to maximum, and there is the added flexibility of being able to apply EQ to the distortion effect, and to use it dynamically within a mix. This is quite useful for (yet another) overdriven snare sound, and for toms. To avoid things getting too out of hand, inserting a noise gate on the return, and maybe keying it from the send signal can be a useful idea.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eLevel\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eControls the overall output volume\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eMix\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eActs as a balance between the preamp output and the distortion stage output. For “normal” use for bass guitar, this would be set at around a 1\/3rd to 2\/3rd. (“10 O’clock to 2 o’clock”)\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eDrive\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eAdjusts the gain of the preamp stage from unity to around 100x (0 to +40 db). Of course with sufficient input\/drive, the preamp stage can be overdriven.LF Retain\u2028takes some low frequency from the preamp.\u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"embed-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/yHPDLHa0j8A\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e"}

{"id":3878950502487,"title":"DryBell Unit67","handle":"drybell-unit67","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"tekst_standard\" class=\"tekst_standard\"\u003e\n\u003cp\u003e\u003cem\u003eThe Unit67 is a compact and fully analog device that has a highly versatile EQ set including a \"Rangemaster-like“ mid control, a boost and an 1176 type of compressor – all in one extremely practical guitar pedal.\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"tekst_standard\" class=\"tekst_standard\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"tekst_standard\" class=\"tekst_standard\"\u003e\n\u003cp align=\"JUSTIFY\"\u003eIt doesn’t matter what your playing style is, how loud you want to play or whether you use any other pedals in your signal chain. The Unit67 is a versatile multi-functional tool which will improve almost every tone to the next, harmonically rich level. You can place it anywhere you like it and it will work its magic. The Unit67 gives you an exciting new playing feel and response which you’ll immediately love.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"tekst_standard\" class=\"tekst_standard\"\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1176 type of compressor,\u003cbr\u003eEQ set with the Range (Master) mid control AND High output Boost\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBased on a clean\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e(and semi-clean,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/drybell.com\/unit67-story\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eread more\u003c\/strong\u003e\u003c\/a\u003e)\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eboost, which is the foundation for many guitar setups, we’ve implemented a very carefully tuned combination of fully analog features in the Unit67, useful to a wide range of musicians and playing styles. Also, our goal was to make it the simplest and most practical for the user.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"tekst_standard\" class=\"tekst_standard\"\u003e\n\u003cp align=\"JUSTIFY\"\u003eA boosted sound in itself is great, but you can get much more of it. Sustaining notes are often a big helping hand to guitar players, so we decided to implement the next great feature of the pedal: a Compressor.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tekst_standard\"\u003e\n\u003cdiv class=\"tekst_standard\"\u003e\n\u003cp align=\"JUSTIFY\"\u003eAfter serious development and inspired by the unique sound and feel of the 1176’s design, we’ve created our very own low noise compressor circuit for this pedal. It is transparent and it has a parallel compression circuit\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e(blend)\u003c\/em\u003e, so you can add a right amount of sustain while retaining pick dynamics with just one simple knob\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e(Sustain)\u003c\/em\u003e. Yes, you have DryBell’s take on the mighty 1176’s engine in this small box!\u003c\/p\u003e\n\u003cp align=\"JUSTIFY\"\u003e \u003c\/p\u003e\n\u003cdiv id=\"tekst_standard\" class=\"tekst_standard\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"tekst_standard\" class=\"tekst_standard\"\u003e\n\u003cp align=\"JUSTIFY\"\u003eThe Range\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e(Master)\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003econtrol will help you cut through the mix and will enrich your tone with the glorious sparkle often associated with the old classic Rangemaster. In situations when you’re using darker toned amps or guitar pickups, “The Range” will always add a harmonically rich sparkle to your tone.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"tekst_standard\" class=\"tekst_standard\"\u003e\n\u003cp align=\"JUSTIFY\"\u003eCombined with a touch of sustain and boosted just enough to give you THAT tone, “The Range” will give some serious bite to your sound which is another way to push you through the mix while playing lead.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"tekst_standard\" class=\"tekst_standard\"\u003e\n\u003cp align=\"JUSTIFY\"\u003e\u003cem\u003eUnit67 is a sublime combination of several effects working in perfect synergy!\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"tekst_standard\" class=\"tekst_standard\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"tekst_standard\" class=\"tekst_standard\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"tekst_standard\" class=\"tekst_standard\"\u003e\n\u003ch4 align=\"JUSTIFY\"\u003e\u003cspan style=\"color: #444444;\"\u003eSPECIFICATIONS\u003c\/span\u003e\u003c\/h4\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003e\u003cem\u003eInput impedance: \u003c\/em\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003e900kΩ\/1kHz\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cem\u003eOutput impedance: \u003c\/em\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003e250 Ω\/1kHz\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cem\u003eMax input level w\/o compressor clipping: \u003c\/em\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003e4.5 Vpp \/ 6.2 dBu\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cem\u003eMax output level: \u003c\/em\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003e20.0 Vpp \/ 19.2 dBu\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cem\u003eMax bypass level w\/o clipping: \u003c\/em\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003e14.0 Vpp \/ 16.1 dBu\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cem\u003eMax gain (EQ = off, Sustain = 0): \u003c\/em\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003e22.4 dB\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cem\u003eMax gain (EQ\/BOOST on max): \u003c\/em\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003e41.0 dB (mid-range freq.)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cem\u003eExternal power supply: \u003c\/em\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eAdapter 9V DC, (9.0V min - 18V max), 100mA minimum\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cem\u003ePower supply connector type: \u003c\/em\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eBarrel, Plug 5.5mm\/2.1mm, Center Negative\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eNominal current (with guitar): 87mA\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLength: 112mm\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWidth (W\/O jacks): 60mm\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHeight (W\/O knobs): 31mm\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWeight (W\/O package): 0.28kg\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWeight (with package): 0.36kg\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eStandard color\/finish: powder coated matte silver metallic\u003c\/em\u003e\u003cbr\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp align=\"JUSTIFY\"\u003e\u003ca href=\"http:\/\/drybell.com\/documents\/Unit67_User's_manual_DM0985.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eUSER MANUAL\u003c\/a\u003e\u003c\/p\u003e\n\u003cp align=\"JUSTIFY\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"tekst_standard\" class=\"tekst_standard\"\u003e\n\u003cdiv class=\"embed-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/P8pgByNOWo8\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cem\u003e \u003c\/em\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e","published_at":"2019-06-27T16:05:16+10:00","created_at":"2019-06-27T16:05:16+10:00","vendor":"DryBell","type":"Pedal","tags":["Boost","Compression","Compressor","EQ","Happy Birthday","Preamp"],"price":48900,"price_min":48900,"price_max":48900,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":29227066130519,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"DB-U67","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"DryBell Unit67","public_title":null,"options":["Default Title"],"price":48900,"weight":350,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/DB_Unit_67_face_web.jpg?v=1572404619"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/DB_Unit_67_face_web.jpg?v=1572404619","options":["Title"],"media":[{"alt":null,"id":1043067600983,"position":1,"preview_image":{"aspect_ratio":0.857,"height":1024,"width":878,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/DB_Unit_67_face_web.jpg?v=1569117553"},"aspect_ratio":0.857,"height":1024,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/DB_Unit_67_face_web.jpg?v=1569117553","width":878}],"content":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"tekst_standard\" class=\"tekst_standard\"\u003e\n\u003cp\u003e\u003cem\u003eThe Unit67 is a compact and fully analog device that has a highly versatile EQ set including a \"Rangemaster-like“ mid control, a boost and an 1176 type of compressor – all in one extremely practical guitar pedal.\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"tekst_standard\" class=\"tekst_standard\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"tekst_standard\" class=\"tekst_standard\"\u003e\n\u003cp align=\"JUSTIFY\"\u003eIt doesn’t matter what your playing style is, how loud you want to play or whether you use any other pedals in your signal chain. The Unit67 is a versatile multi-functional tool which will improve almost every tone to the next, harmonically rich level. You can place it anywhere you like it and it will work its magic. The Unit67 gives you an exciting new playing feel and response which you’ll immediately love.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"tekst_standard\" class=\"tekst_standard\"\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1176 type of compressor,\u003cbr\u003eEQ set with the Range (Master) mid control AND High output Boost\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBased on a clean\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e(and semi-clean,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/drybell.com\/unit67-story\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eread more\u003c\/strong\u003e\u003c\/a\u003e)\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eboost, which is the foundation for many guitar setups, we’ve implemented a very carefully tuned combination of fully analog features in the Unit67, useful to a wide range of musicians and playing styles. Also, our goal was to make it the simplest and most practical for the user.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"tekst_standard\" class=\"tekst_standard\"\u003e\n\u003cp align=\"JUSTIFY\"\u003eA boosted sound in itself is great, but you can get much more of it. Sustaining notes are often a big helping hand to guitar players, so we decided to implement the next great feature of the pedal: a Compressor.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tekst_standard\"\u003e\n\u003cdiv class=\"tekst_standard\"\u003e\n\u003cp align=\"JUSTIFY\"\u003eAfter serious development and inspired by the unique sound and feel of the 1176’s design, we’ve created our very own low noise compressor circuit for this pedal. It is transparent and it has a parallel compression circuit\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e(blend)\u003c\/em\u003e, so you can add a right amount of sustain while retaining pick dynamics with just one simple knob\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e(Sustain)\u003c\/em\u003e. Yes, you have DryBell’s take on the mighty 1176’s engine in this small box!\u003c\/p\u003e\n\u003cp align=\"JUSTIFY\"\u003e \u003c\/p\u003e\n\u003cdiv id=\"tekst_standard\" class=\"tekst_standard\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"tekst_standard\" class=\"tekst_standard\"\u003e\n\u003cp align=\"JUSTIFY\"\u003eThe Range\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e(Master)\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003econtrol will help you cut through the mix and will enrich your tone with the glorious sparkle often associated with the old classic Rangemaster. In situations when you’re using darker toned amps or guitar pickups, “The Range” will always add a harmonically rich sparkle to your tone.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"tekst_standard\" class=\"tekst_standard\"\u003e\n\u003cp align=\"JUSTIFY\"\u003eCombined with a touch of sustain and boosted just enough to give you THAT tone, “The Range” will give some serious bite to your sound which is another way to push you through the mix while playing lead.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"tekst_standard\" class=\"tekst_standard\"\u003e\n\u003cp align=\"JUSTIFY\"\u003e\u003cem\u003eUnit67 is a sublime combination of several effects working in perfect synergy!\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"tekst_standard\" class=\"tekst_standard\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"tekst_standard\" class=\"tekst_standard\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"tekst_standard\" class=\"tekst_standard\"\u003e\n\u003ch4 align=\"JUSTIFY\"\u003e\u003cspan style=\"color: #444444;\"\u003eSPECIFICATIONS\u003c\/span\u003e\u003c\/h4\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003e\u003cem\u003eInput impedance: \u003c\/em\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003e900kΩ\/1kHz\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cem\u003eOutput impedance: \u003c\/em\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003e250 Ω\/1kHz\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cem\u003eMax input level w\/o compressor clipping: \u003c\/em\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003e4.5 Vpp \/ 6.2 dBu\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cem\u003eMax output level: \u003c\/em\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003e20.0 Vpp \/ 19.2 dBu\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cem\u003eMax bypass level w\/o clipping: \u003c\/em\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003e14.0 Vpp \/ 16.1 dBu\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cem\u003eMax gain (EQ = off, Sustain = 0): \u003c\/em\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003e22.4 dB\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cem\u003eMax gain (EQ\/BOOST on max): \u003c\/em\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003e41.0 dB (mid-range freq.)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cem\u003eExternal power supply: \u003c\/em\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eAdapter 9V DC, (9.0V min - 18V max), 100mA minimum\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cem\u003ePower supply connector type: \u003c\/em\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eBarrel, Plug 5.5mm\/2.1mm, Center Negative\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eNominal current (with guitar): 87mA\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLength: 112mm\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWidth (W\/O jacks): 60mm\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHeight (W\/O knobs): 31mm\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWeight (W\/O package): 0.28kg\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWeight (with package): 0.36kg\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eStandard color\/finish: powder coated matte silver metallic\u003c\/em\u003e\u003cbr\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp align=\"JUSTIFY\"\u003e\u003ca href=\"http:\/\/drybell.com\/documents\/Unit67_User's_manual_DM0985.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eUSER MANUAL\u003c\/a\u003e\u003c\/p\u003e\n\u003cp align=\"JUSTIFY\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"tekst_standard\" class=\"tekst_standard\"\u003e\n\u003cdiv class=\"embed-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/P8pgByNOWo8\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cem\u003e \u003c\/em\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e"}

{"id":3878876479575,"title":"DryBell Vibe Machine V2","handle":"drybell-vibe-machine-v2","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4 id=\"tekst_standard\" class=\"tekst_standard\"\u003e\u003cspan style=\"color: #444444;\"\u003eEnjoy authentic vibe sounds without taking up a ton of space on your pedalboard!\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp id=\"tekst_standard\" class=\"tekst_standard\"\u003eThe Vibe Machine™ series – the world’s first smallest vibe pedal. Even in its little box it retains all the features of the classic Uni-Vibe® – small in size, big on sound! When you switch the Vibe Machine V-2 on, your guitar melts into a swirling three dimensional space inhabited by chewy vibe harmonics and textures. It’s all here from shimmering liquid trebles to throbbing pulse-like waves of bass; a sonic force of beauty that tears down the walls around you!\u003c\/p\u003e\n\u003cp id=\"tekst_standard\" class=\"tekst_standard\"\u003eThe Vibe Machine V-2 features the same optical system as the V-1, but the pedal’s a little different from the V-1 and it can sound different. We collected your feedback over the years and that is the main reason for V-2’s existence. So all tonal options from the V-1 are here, but we added 3 new ‘set and forget’ side controls to the V-1 arsenal: \u003cstrong\u003eCHORUS\u003c\/strong\u003e, \u003cstrong\u003eGRIT\u003c\/strong\u003e and \u003cstrong\u003eCUSTOM\u003c\/strong\u003e. All controls have their factory settings! If you want, check the manual in the support tab for more detailed descriptions, but to begin playing you don’t need the manual, just plug in and enjoy!\u003c\/p\u003e\n\u003cp id=\"tekst_standard\" class=\"tekst_standard\"\u003eThe CHORUS trimmer adjusts the depth of vibe modulation so the user can adjust the swirl\/watery\/chewy character of the chorus sound. If you play in a band, we recommend that this trimmer is set to about 12 o’clock (like on the V-1, where it is fixed internally) because on this setting your guitar will cut through the mix better. For bedroom level set this trimmer to 2 or 3 o’clock. The \u003cstrong\u003eCHORUS\u003c\/strong\u003e trimmer also affects the low end frequencies of the Chorus throb. This trimmer is one of the biggest improvements between the V-2 and V-1 pedals.\u003c\/p\u003e\n\u003cp id=\"tekst_standard\" class=\"tekst_standard\"\u003eTry a fuzz\/dirt pedal or just an amp after the V-2 and with \u003cstrong\u003eGRIT\u003c\/strong\u003e you can find your tonal sweet spot with whatever is next in chain. This new control adjusts the overall presence of the pedal’s tone and it is very interactive with the volume of the output signal.\u003c\/p\u003e\n\u003cp id=\"tekst_standard\" class=\"tekst_standard\"\u003eThe \u003cstrong\u003eCUSTOM\u003c\/strong\u003e trimmer adjusts the input impedance when the new three way \u003cstrong\u003eORIGINAL\/BRIGHT\/CUSTOM\u003c\/strong\u003e switch is set to the \u003cstrong\u003eCUSTOM\u003c\/strong\u003e position. If you switch guitars on stage, sometimes you may want to flip this switch to balance your guitar’s brightness.\u003c\/p\u003e\n\u003cp id=\"tekst_standard\" class=\"tekst_standard\"\u003eWith the \u003cstrong\u003eVOLUME\u003c\/strong\u003e trimmer at its maximum setting, it boosts your volume above and beyond unity gain. With a higher volume setting you can push your amp or next pedal for a dirty-vibe sound.\u003c\/p\u003e\n\u003cp id=\"tekst_standard\" class=\"tekst_standard\"\u003eWe also developed several new options for people that want to experiment and love to play with the expression pedal, or maybe use the V-2 with an external footswitch. The new Vibe Machine V-2 has a \u003cstrong\u003eCANCEL\u003c\/strong\u003e function, \u003cstrong\u003eTAP TEMPO\u003c\/strong\u003e feature, Fast\/Slow with adjustable Leslie® ramp delay (not only ON\/OFF like on V-1) or a Two speed function.\u003c\/p\u003e\n\u003cp id=\"tekst_standard\" class=\"tekst_standard\"\u003e\u003cstrong\u003eCANCEL\u003c\/strong\u003e function – Just like on an original Uni-Vibe®, a warm \u0026amp; darker sounding bypass (Cancel on original Uni-Vibe®) is now available on the Vibe Machine V-2 by the touch of your heel. Please refer to the Options manual for more information.\u003c\/p\u003e\n\u003cp id=\"tekst_standard\" class=\"tekst_standard\"\u003eFurthermore, there are a couple of ‘set and forget’ digitally controlled options like different footswitch type compatibility, expression pedal pot taper adjustment and more. Check the V-2 options manual to see all of its features. We have removed the TFC output because nobody used it on V-1. Also you won’t see any jumpers inside your V-2 model. We had a lot of fun creating these functions and we hope that you will find some of these features useful for your specific needs and also for your pedalboard.\u003c\/p\u003e\n\u003ch4 class=\"tekst_standard\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #444444;\"\u003eSPECIFICATIONS\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eInput impedance ORIGINAL: \u003c\/span\u003e69kΩ\/1kHz\u003c\/li\u003e\n\u003cli\u003eInput impedance BRIGHT: 1MΩ\/1kHz\u003c\/li\u003e\n\u003cli\u003eInput impedance CUSTOM: adjustable 69kΩ -\u0026gt; 320kΩ\/1kHz, (side CUSTOM trimmer)\u003c\/li\u003e\n\u003cli\u003eOutput impedance: variable 1kΩ -\u0026gt; 90 kΩ\/1kHz, (depending on GRIT trimmer)\u003c\/li\u003e\n\u003cli\u003eExternal power supply: Adapter 9V DC (8.91V min \u0026gt; 16V max!)\u003c\/li\u003e\n\u003cli\u003ePower supply connector type: Barrel, Plug 5.5mm\/2.1mm, Center Negative\u003c\/li\u003e\n\u003cli\u003eMax current (pulse): 165mA (min 170mA power supply recommended, not included)\u003c\/li\u003e\n\u003cli\u003eLength: 112mm\u003c\/li\u003e\n\u003cli\u003eWidth (W\/O jacks): 60mm\u003c\/li\u003e\n\u003cli\u003eHeight (W\/O knobs): 31mm\u003c\/li\u003e\n\u003cli\u003eWeight: (W\/O package): 0.28kg\u003c\/li\u003e\n\u003cli\u003eWeight: (with package): 0.36kg\u003c\/li\u003e\n\u003cli\u003eStandard color\/finish: powder coated graphite metallic\u003cbr\u003e \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"tekst_standard\"\u003e\u003ca href=\"http:\/\/drybell.com\/documents\/V-2_User's_manual_DM0957.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eUSERS MANUAL\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"tekst_standard\"\u003e\u003ca href=\"http:\/\/drybell.com\/documents\/V-2_Options_manual_DM0958.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eOPTIONS MANUAL\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"tekst_standard\"\u003e\u003ca href=\"http:\/\/drybell.com\/documents\/Sym_And_Range_adjustment_DM0963.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eSYM AND RANGE ADJUSTMENT\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"tekst_standard\"\u003e \u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"embed-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/S1ThULQmPww\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2019-06-27T12:55:26+10:00","created_at":"2019-06-27T13:21:35+10:00","vendor":"DryBell","type":"Pedal","tags":["Chorus","Happy Birthday","Modulation","Vibe","Vibrato"],"price":47900,"price_min":47900,"price_max":47900,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":29226566910039,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"DB-VM","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"DryBell Vibe Machine V2","public_title":null,"options":["Default Title"],"price":47900,"weight":350,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/DB_Vibe_Machine_face_web.jpg?v=1561613788","\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/DB_Vibe_Machine_full_set_web.jpg?v=1561613792"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/DB_Vibe_Machine_face_web.jpg?v=1561613788","options":["Title"],"media":[{"alt":null,"id":1043048857687,"position":1,"preview_image":{"aspect_ratio":0.857,"height":1024,"width":878,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/DB_Vibe_Machine_face_web.jpg?v=1569117548"},"aspect_ratio":0.857,"height":1024,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/DB_Vibe_Machine_face_web.jpg?v=1569117548","width":878},{"alt":null,"id":1043048890455,"position":2,"preview_image":{"aspect_ratio":0.857,"height":1024,"width":878,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/DB_Vibe_Machine_full_set_web.jpg?v=1569117548"},"aspect_ratio":0.857,"height":1024,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/DB_Vibe_Machine_full_set_web.jpg?v=1569117548","width":878}],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4 id=\"tekst_standard\" class=\"tekst_standard\"\u003e\u003cspan style=\"color: #444444;\"\u003eEnjoy authentic vibe sounds without taking up a ton of space on your pedalboard!\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp id=\"tekst_standard\" class=\"tekst_standard\"\u003eThe Vibe Machine™ series – the world’s first smallest vibe pedal. Even in its little box it retains all the features of the classic Uni-Vibe® – small in size, big on sound! When you switch the Vibe Machine V-2 on, your guitar melts into a swirling three dimensional space inhabited by chewy vibe harmonics and textures. It’s all here from shimmering liquid trebles to throbbing pulse-like waves of bass; a sonic force of beauty that tears down the walls around you!\u003c\/p\u003e\n\u003cp id=\"tekst_standard\" class=\"tekst_standard\"\u003eThe Vibe Machine V-2 features the same optical system as the V-1, but the pedal’s a little different from the V-1 and it can sound different. We collected your feedback over the years and that is the main reason for V-2’s existence. So all tonal options from the V-1 are here, but we added 3 new ‘set and forget’ side controls to the V-1 arsenal: \u003cstrong\u003eCHORUS\u003c\/strong\u003e, \u003cstrong\u003eGRIT\u003c\/strong\u003e and \u003cstrong\u003eCUSTOM\u003c\/strong\u003e. All controls have their factory settings! If you want, check the manual in the support tab for more detailed descriptions, but to begin playing you don’t need the manual, just plug in and enjoy!\u003c\/p\u003e\n\u003cp id=\"tekst_standard\" class=\"tekst_standard\"\u003eThe CHORUS trimmer adjusts the depth of vibe modulation so the user can adjust the swirl\/watery\/chewy character of the chorus sound. If you play in a band, we recommend that this trimmer is set to about 12 o’clock (like on the V-1, where it is fixed internally) because on this setting your guitar will cut through the mix better. For bedroom level set this trimmer to 2 or 3 o’clock. The \u003cstrong\u003eCHORUS\u003c\/strong\u003e trimmer also affects the low end frequencies of the Chorus throb. This trimmer is one of the biggest improvements between the V-2 and V-1 pedals.\u003c\/p\u003e\n\u003cp id=\"tekst_standard\" class=\"tekst_standard\"\u003eTry a fuzz\/dirt pedal or just an amp after the V-2 and with \u003cstrong\u003eGRIT\u003c\/strong\u003e you can find your tonal sweet spot with whatever is next in chain. This new control adjusts the overall presence of the pedal’s tone and it is very interactive with the volume of the output signal.\u003c\/p\u003e\n\u003cp id=\"tekst_standard\" class=\"tekst_standard\"\u003eThe \u003cstrong\u003eCUSTOM\u003c\/strong\u003e trimmer adjusts the input impedance when the new three way \u003cstrong\u003eORIGINAL\/BRIGHT\/CUSTOM\u003c\/strong\u003e switch is set to the \u003cstrong\u003eCUSTOM\u003c\/strong\u003e position. If you switch guitars on stage, sometimes you may want to flip this switch to balance your guitar’s brightness.\u003c\/p\u003e\n\u003cp id=\"tekst_standard\" class=\"tekst_standard\"\u003eWith the \u003cstrong\u003eVOLUME\u003c\/strong\u003e trimmer at its maximum setting, it boosts your volume above and beyond unity gain. With a higher volume setting you can push your amp or next pedal for a dirty-vibe sound.\u003c\/p\u003e\n\u003cp id=\"tekst_standard\" class=\"tekst_standard\"\u003eWe also developed several new options for people that want to experiment and love to play with the expression pedal, or maybe use the V-2 with an external footswitch. The new Vibe Machine V-2 has a \u003cstrong\u003eCANCEL\u003c\/strong\u003e function, \u003cstrong\u003eTAP TEMPO\u003c\/strong\u003e feature, Fast\/Slow with adjustable Leslie® ramp delay (not only ON\/OFF like on V-1) or a Two speed function.\u003c\/p\u003e\n\u003cp id=\"tekst_standard\" class=\"tekst_standard\"\u003e\u003cstrong\u003eCANCEL\u003c\/strong\u003e function – Just like on an original Uni-Vibe®, a warm \u0026amp; darker sounding bypass (Cancel on original Uni-Vibe®) is now available on the Vibe Machine V-2 by the touch of your heel. Please refer to the Options manual for more information.\u003c\/p\u003e\n\u003cp id=\"tekst_standard\" class=\"tekst_standard\"\u003eFurthermore, there are a couple of ‘set and forget’ digitally controlled options like different footswitch type compatibility, expression pedal pot taper adjustment and more. Check the V-2 options manual to see all of its features. We have removed the TFC output because nobody used it on V-1. Also you won’t see any jumpers inside your V-2 model. We had a lot of fun creating these functions and we hope that you will find some of these features useful for your specific needs and also for your pedalboard.\u003c\/p\u003e\n\u003ch4 class=\"tekst_standard\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #444444;\"\u003eSPECIFICATIONS\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eInput impedance ORIGINAL: \u003c\/span\u003e69kΩ\/1kHz\u003c\/li\u003e\n\u003cli\u003eInput impedance BRIGHT: 1MΩ\/1kHz\u003c\/li\u003e\n\u003cli\u003eInput impedance CUSTOM: adjustable 69kΩ -\u0026gt; 320kΩ\/1kHz, (side CUSTOM trimmer)\u003c\/li\u003e\n\u003cli\u003eOutput impedance: variable 1kΩ -\u0026gt; 90 kΩ\/1kHz, (depending on GRIT trimmer)\u003c\/li\u003e\n\u003cli\u003eExternal power supply: Adapter 9V DC (8.91V min \u0026gt; 16V max!)\u003c\/li\u003e\n\u003cli\u003ePower supply connector type: Barrel, Plug 5.5mm\/2.1mm, Center Negative\u003c\/li\u003e\n\u003cli\u003eMax current (pulse): 165mA (min 170mA power supply recommended, not included)\u003c\/li\u003e\n\u003cli\u003eLength: 112mm\u003c\/li\u003e\n\u003cli\u003eWidth (W\/O jacks): 60mm\u003c\/li\u003e\n\u003cli\u003eHeight (W\/O knobs): 31mm\u003c\/li\u003e\n\u003cli\u003eWeight: (W\/O package): 0.28kg\u003c\/li\u003e\n\u003cli\u003eWeight: (with package): 0.36kg\u003c\/li\u003e\n\u003cli\u003eStandard color\/finish: powder coated graphite metallic\u003cbr\u003e \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"tekst_standard\"\u003e\u003ca href=\"http:\/\/drybell.com\/documents\/V-2_User's_manual_DM0957.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eUSERS MANUAL\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"tekst_standard\"\u003e\u003ca href=\"http:\/\/drybell.com\/documents\/V-2_Options_manual_DM0958.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eOPTIONS MANUAL\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"tekst_standard\"\u003e\u003ca href=\"http:\/\/drybell.com\/documents\/Sym_And_Range_adjustment_DM0963.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eSYM AND RANGE ADJUSTMENT\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"tekst_standard\"\u003e \u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"embed-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/S1ThULQmPww\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\n\u003cp\u003e \u003c\/p\u003e"}

{"id":4396158812247,"title":"DSM \u0026 Humboldt Electronics Bass Station","handle":"dsm-humboldt-electronics-bass-station","description":"\u003ch4\u003e\u003cspan style=\"color: #ba0000;\" mce-data-marked=\"1\"\u003eIN STOCK AND READY TO SHIP!\u003c\/span\u003e\u003c\/h4\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\n\u003cbr\u003e\u003cspan style=\"color: #404040;\"\u003eThe Ultimate Fully Analog Bass Platform\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cp\u003eThe new DSM \u0026amp; Humboldt SIMPLIFIER BASS STATION is everything you ever needed to go direct to the FOH or recording amazing bass tones without sacrificing anything.  It includes a Bass Preamp with gain, level, and a 3 band EQ with semi-parametric mid control. A parallel signal routing with a selectable LPF, dual FX loop (for preamp and parallel signal), and an amazing analog cabinet simulation, based on the acclaimed Omnicabsim ® by DSM Noisemaker.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\u003cspan style=\"color: #404040;\"\u003eVersatile Preamp Stage\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eThe preamp stage is based on the Ampeg SVT ®. This amp stands out for it’s personality,  versatility and articulation. Including its flexible EQ with +- 15dB per band, and the switchable midrange from 400-900-1500Hz. Across most of the gain settings, the amp is tight and clear. But with higher gains, it will grunt and growl like a real Ampeg SVT does.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\u003cspan style=\"color: #404040;\"\u003eA Parallel Universe\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eThe SIMPLIFIER BASS STATION separates the signal at the input for a parallel line, bypassing the preamp, and including a switchable low pass filter (100Hz, Off, 500Hz). The effect of blending this clean signal with the preamp tone let’s you overdrive the preamp while retaining a huge low end response and natural dynamics.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\u003cspan style=\"color: #404040;\"\u003eCabinet Simulation\u2028\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eThe Cabinet simulation was carefully designed to get the most distinctive cabinet tones. A Closed Back 8x10, with its tight and punchy lows. A vented 1x15 for warm creamy mids and thick lows, and a vented 4x10 for more open, wider range response.  The Speaker color switch, Warm, Bright and Modern, simulates the different materials and geometry of bass speakers, which affects the dynamics and midrange response. And with the Resonance and Mic position controls, you can adjust the exact amount of high end brightness and the cabinet low end resonance you want.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\u003cspan style=\"color: #404040;\"\u003eDual effect loop\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eThe SIMPLIFIER BASS STATION is the first to include TWO effect loops, so you can use different effects on the main (preamp) and on the parallel signal chain. The sky is the limit here. Try a compressor for the parallel signal, and a chorus on the preamp; or a delay that only repeats the bottom end, or even a volume pedal to control the parallel blend in real time. Use your imagination to get bass tones never heard before!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDimensions: 115 x 65 x 55mm\u003c\/li\u003e\n\u003cli\u003eWeight: 430g\u003c\/li\u003e\n\u003cli\u003ePower: 9VDC negative tip\u003c\/li\u003e\n\u003cli\u003ePower consumption: up to 50 mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"embed-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/jTpQML3C1hM\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2020-01-16T15:05:45+10:00","created_at":"2020-01-16T15:05:45+10:00","vendor":"Humboldt Electronics","type":"Pedal","tags":["Amp Modeller","Amplifier","Bass","Boost","Cabinet Simulator","Happy Birthday","Preamp","reverbsync-offers:off","reverbsync-shipping-profile:Pedals \u0026 Accessories over $200","Utility","Utility \u0026 Switching"],"price":49900,"price_min":49900,"price_max":49900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":31430448447575,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"DH-BS","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"DSM \u0026 Humboldt Electronics Bass Station","public_title":null,"options":["Default Title"],"price":49900,"weight":480,"compare_at_price":null,"inventory_quantity":6,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/DH_Bass_Station_face_web.jpg?v=1579152494","\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/DH_Bass_Station_angled_front_web.jpg?v=1579152494","\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/DH_Bass_Station_angled_rear_web.jpg?v=1579152494"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/DH_Bass_Station_face_web.jpg?v=1579152494","options":["Title"],"media":[{"alt":null,"id":5776032464983,"position":1,"preview_image":{"aspect_ratio":0.857,"height":1024,"width":878,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/DH_Bass_Station_face_web.jpg?v=1579151172"},"aspect_ratio":0.857,"height":1024,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/DH_Bass_Station_face_web.jpg?v=1579151172","width":878},{"alt":null,"id":5776032399447,"position":2,"preview_image":{"aspect_ratio":0.857,"height":1024,"width":878,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/DH_Bass_Station_angled_front_web.jpg?v=1579151172"},"aspect_ratio":0.857,"height":1024,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/DH_Bass_Station_angled_front_web.jpg?v=1579151172","width":878},{"alt":null,"id":5776032432215,"position":3,"preview_image":{"aspect_ratio":0.857,"height":1024,"width":878,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/DH_Bass_Station_angled_rear_web.jpg?v=1579151172"},"aspect_ratio":0.857,"height":1024,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/7329\/products\/DH_Bass_Station_angled_rear_web.jpg?v=1579151172","width":878}],"content":"\u003ch4\u003e\u003cspan style=\"color: #ba0000;\" mce-data-marked=\"1\"\u003eIN STOCK AND READY TO SHIP!\u003c\/span\u003e\u003c\/h4\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\n\u003cbr\u003e\u003cspan style=\"color: #404040;\"\u003eThe Ultimate Fully Analog Bass Platform\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cp\u003eThe new DSM \u0026amp; Humboldt SIMPLIFIER BASS STATION is everything you ever needed to go direct to the FOH or recording amazing bass tones without sacrificing anything.  It includes a Bass Preamp with gain, level, and a 3 band EQ with semi-parametric mid control. A parallel signal routing with a selectable LPF, dual FX loop (for preamp and parallel signal), and an amazing analog cabinet simulation, based on the acclaimed Omnicabsim ® by DSM Noisemaker.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\u003cspan style=\"color: #404040;\"\u003eVersatile Preamp Stage\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eThe preamp stage is based on the Ampeg SVT ®. This amp stands out for it’s personality,  versatility and articulation. Including its flexible EQ with +- 15dB per band, and the switchable midrange from 400-900-1500Hz. Across most of the gain settings, the amp is tight and clear. But with higher gains, it will grunt and growl like a real Ampeg SVT does.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\u003cspan style=\"color: #404040;\"\u003eA Parallel Universe\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eThe SIMPLIFIER BASS STATION separates the signal at the input for a parallel line, bypassing the preamp, and including a switchable low pass filter (100Hz, Off, 500Hz). The effect of blending this clean signal with the preamp tone let’s you overdrive the preamp while retaining a huge low end response and natural dynamics.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\u003cspan style=\"color: #404040;\"\u003eCabinet Simulation\u2028\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eThe Cabinet simulation was carefully designed to get the most distinctive cabinet tones. A Closed Back 8x10, with its tight and punchy lows. A vented 1x15 for warm creamy mids and thick lows, and a vented 4x10 for more open, wider range response.  The Speaker color switch, Warm, Bright and Modern, simulates the different materials and geometry of bass speakers, which affects the dynamics and midrange response. And with the Resonance and Mic position controls, you can adjust the exact amount of high end brightness and the cabinet low end resonance you want.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\u003cspan style=\"color: #404040;\"\u003eDual effect loop\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eThe SIMPLIFIER BASS STATION is the first to include TWO effect loops, so you can use different effects on the main (preamp) and on the parallel signal chain. The sky is the limit here. Try a compressor for the parallel signal, and a chorus on the preamp; or a delay that only repeats the bottom end, or even a volume pedal to control the parallel blend in real time. Use your imagination to get bass tones never heard before!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDimensions: 115 x 65 x 55mm\u003c\/li\u003e\n\u003cli\u003eWeight: 430g\u003c\/li\u003e\n\u003cli\u003ePower: 9VDC negative tip\u003c\/li\u003e\n\u003cli\u003ePower consumption: up to 50 mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"embed-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/jTpQML3C1hM\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e"}